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David Fincher

Influential Filmmakers Discuss Digital Revolution in ‘Side by Side’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – We are at the tipping point of a technology that has been used for a hundred years to capture the moving image. Shooting on film is going away as more and more filmmakers use digital technology to tell their stories. How does this change the art form? Is it a creative new landscape or the death of something important?

David Fincher’s Stunning ‘The Girl with the Dragon Tattoo’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – David Fincher’s “The Girl with the Dragon Tattoo” comes with waves of expectations from fans of the Stieg Larsson books, the Swedish original films, the director’s previous beloved works, and even drama over a certain national outlet breaking an agreed-upon embargo. Could it possibly live up to the hype? If you can let it go and just appreciate the film for what it is — absolutely.

Incomprehensible Story, Uninteresting Characters Sink in ‘Texas Killing Fields’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Ami Canaan Mann’s “Texas Killing Fields” is further proof of just how difficult it is to do what David Fincher does so well. “TKF” may have echoes of “Seven” and “Zodiac” but none of the character, mood, or even cohesion of those films. The best word to describe this misstep is a “mess” as the movie jumps around between plotlines and characters and never gives the viewer the footing that would make them resonate as something worth caring about or entertaining.

Jesse Eisenberg’s ‘30 Minutes or Less’ is Half Funny, Wholly Disappointing

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The new half-unfunny comedy “30 Minutes or Less” stands as a destructive come down for newly minted star Jesse Eisenberg following his high-profile role as Facebook founder Mark Zuckerberg in David Fincher’s “The Social Network”.

David Fincher’s ‘The Social Network’ is a Rare Masterpiece

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – So many recent films have been called “masterpieces” by critics that the word doesn’t have the power that it once did. And yet there’s sometimes no better way to describe a film. David Fincher’s “The Social Network,” starring Jesse Eisenberg, Andrew Garfield, and Justin Timberlake is a masterpiece.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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