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Daniel Sunjata

Avenging Pursuit Motivates Amanda Seyfried in ‘Gone’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The premise of “Gone” is a beguiling notion. What if the victim of a traumatic crime can’t get authorities to believe her? The evidence doesn’t add up, there are no physical signs of struggle and no crime scene is found. Amanda Seyfried plays such a victim, and her very sanity is questioned.

Katherine Heigl’s ‘One For the Money’ Was Made For No One

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Just under five years ago, Katherine Heigl became a decently known actress in the film world for her role as Alison in the Judd Apatow film “Knocked Up.” After having been in the show “Grey’s Anatomy” for a few years, Heigl had finally broke into the world of cinema, and seemed to have a decent amount of comedy acting skills. Now, several years and a few bad movies in a row, Heigl seems to be desperately holding on to whatever career she still has left.

Matthew McConaughey’s ‘Ghosts of Girlfriends Past’ Overdone, But Relatable

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Ghosts of Girlfriends Past” is the cinematic blending of two familiar formulas: the “love, lose and then love again” framework of most romantic comedies with the idea of transforming ghosts from the classic “A Christmas Carol”. The result: an overdone yet relatable story of a man coming to terms with his true desires.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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