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Daniel Craig

‘Skyfall’ is Enjoyable, Transitional James Bond Romp

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – James Bond is the world’s most enduring super spy, beginning with Ian Fleming’s classic spy novels, up to a celebration of 50 years in the movies. Daniel Craig returns as Bond, James Bond in the latest film ‘Skyfall,’ which blends familiar 007 actions with psychological transitions.

James Bond Returns in Stunning, Spectacular ‘Skyfall’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – “Skyfall” is a gorgeous, action-packed, superbly structured piece of modern filmmaking. It is not only one of the best James Bond movies in the five-decade history of the beloved character but it’s one of the best action movies of the last decade. Sam Mendes’ film is smart, sexy, dangerous, and, most stunningly of all, beautiful.

Steven Spielberg’s Disappointing ‘The Adventures of Tintin’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Being a huge Steven Spielberg fan and a pretty big aficionado of Peter Jackson (who produced) as well, I was pretty psyched to see what these two undeniable geniuses could do in the world of motion-capture animation with their collaboration on the adaptation of the hit Herge cartoon “The Adventures of Tintin.” That’s why it hurts me to say that, excepting a few stand-out action scenes, this is a shockingly dull affair, something that lulled me to sleep far more often than it inspired my imagination to life.

David Fincher’s Stunning ‘The Girl with the Dragon Tattoo’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – David Fincher’s “The Girl with the Dragon Tattoo” comes with waves of expectations from fans of the Stieg Larsson books, the Swedish original films, the director’s previous beloved works, and even drama over a certain national outlet breaking an agreed-upon embargo. Could it possibly live up to the hype? If you can let it go and just appreciate the film for what it is — absolutely.

Not Much to Build Upon in Vague ‘Dream House’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Mixing three actors with great reputations – Daniel Craig, Rachel Weisz and Naomi Watts – with Jim Sheridan, a six time Oscar nominated director, would assume to yield some fruitful results. But with “Dream House,” the artifice is indistinct and ill-defined, ultimately much ado about nothing.

Daniel Craig, Harrison Ford in Dull ‘Cowboys & Aliens’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Jon Favreau’s “Cowboys & Aliens” with Daniel Craig & Harrison Ford is a depressing snooze, a film with so many of the right elements but none of the personality to connect them into something memorable. With so many revisions from a number of writers, it feels like everyone added their own color to the piece until it all faded to gray.

Edward Zwick’s ‘Defiance’ Drains Strength From Powerful True Story

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Ed Zwick’s “Defiance” is a dramatically inert film that misses the mark by allowing its director to play up his notable weaknesses as a filmmaker.


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  • Jack Reacher with Tom Cruise

    CHICAGO – “Jack Reacher” doesn’t work as an action movie. However, if you approach the mannered dialogue and dark storytelling as a noir, which is what I believe the writer and director (if not the marketing team at Paramount) intended, then there’s a lot to like here. It’s a stylized, slick, well-made ride with some crackling dialogue, charismatic performances, and heavy doses of style.

  • Safe Haven

    CHICAGO – At its best, Lasse Hallstrom’s “Safe Haven,” based on the book by the insanely popular Nicholas Sparks, is merely safe, Lifetime Channel TV Movie junk. At its worst, it’s pretty offensive and exploitative of women actually stuck in abusive situations and men forced into single parenthood after losing a spouse. As he has done before, Sparks takes real-world issues and turns them into manipulative devices. Hallstrom (“Chocolat”) has enough filmmaking skill to keep it from getting too boring despite the attempts on the part of the two remarkably dull leads to put you to sleep.

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