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Dan Fogler

Effective ‘Europa Report’ Mixes Science with Fiction

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Unlike a lot of so-called science fiction (“Sharknado” comes to mind), “Europa Report” actually relies heavily on true science. There really is a school of thought, as explained by the great Neil Degrasse Tyson in archival footage used in the film, that the icy surface of Europa, one of the moons of Jupiter, may hold the most remarkable discovery in the history of mankind – that we are not alone.

Spectacle, Emotion Propel Animation in ‘Mars Needs Moms’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Mars Needs Moms” is an animated epic that takes its time to build toward the message, but the path to that real emotion is decorated with spectacular imagery and sprightly comedy. It’s Mom, apple pie and motion capture technology.

Ang Lee’s ‘Taking Woodstock’ Lays Down Too Mellow a Vibe to Be Memorable

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – More about the vibe surrounding the three days of peace and love that would become the most influential festival in history than the actual music itself, Ang Lee’s “Taking Woodstock” is a frustrating drama with individual elements that work but a cinematic set list that is ultimately disjointed and unsatisfying.

‘Balls of Fury’: Thank You; Try Again

Rating: 2/5CHICAGO – Thank you. Try again. When your sell is entirely dependent on being utterly hi-lar-ious, you’d better trigger unruly body spasms.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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