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Dan Fogler

Effective ‘Europa Report’ Mixes Science with Fiction

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Unlike a lot of so-called science fiction (“Sharknado” comes to mind), “Europa Report” actually relies heavily on true science. There really is a school of thought, as explained by the great Neil Degrasse Tyson in archival footage used in the film, that the icy surface of Europa, one of the moons of Jupiter, may hold the most remarkable discovery in the history of mankind – that we are not alone.

Spectacle, Emotion Propel Animation in ‘Mars Needs Moms’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Mars Needs Moms” is an animated epic that takes its time to build toward the message, but the path to that real emotion is decorated with spectacular imagery and sprightly comedy. It’s Mom, apple pie and motion capture technology.

Ang Lee’s ‘Taking Woodstock’ Lays Down Too Mellow a Vibe to Be Memorable

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – More about the vibe surrounding the three days of peace and love that would become the most influential festival in history than the actual music itself, Ang Lee’s “Taking Woodstock” is a frustrating drama with individual elements that work but a cinematic set list that is ultimately disjointed and unsatisfying.

‘Balls of Fury’: Thank You; Try Again

Rating: 2/5CHICAGO – Thank you. Try again. When your sell is entirely dependent on being utterly hi-lar-ious, you’d better trigger unruly body spasms.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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