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Clive Owen

‘Shadow Dancer’ with Clive Owen is Tense IRA Thriller

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Would you betray your cause and the rest of your family tree for the safety of your son? Such is the nightmarish question that Collette must answer in James Marsh’s tense, complex “Shadow Dancer,” a slow-burn thriller that may be a bit too slow at times but builds in power by the final reel. It is On Demand now and opens in New York and Los Angeles on Friday, May 31. It’s worth seeking out.

Clive Owen, Carice Van Houten Star in Hollow ‘Intruders’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Clive Owen is a fantastic actor, one of the best of his generation in films like “Children of Men” and “Trust.” His co-star in “Intruders,” Carice Van Houten, generally makes everything she does more interesting (and memorably appears in the new season of “Game of Thrones”). And yet neither of these talented thespians can do a thing to save “Intruders,” an inert, boring supernatural thriller, a flick that joins the crowded subgenre of childhood boogeyman scare-fests that fail to find the spine-tingling power of what we think may be under the bed.

‘Killer Elite’ Mistakes Cliché For Action

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “Killer Elite” is an exhausting, nonsensical, illogical, loud collection of action clichés masquerading as a modern action film. It features characters less three-dimensional than most cartoons doing and saying things that are only done and said in movies. Bad movies. Really bad movies.

Searing Performances Elevate David Schwimmer’s ‘Trust’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – There’s an unsettling potency to relationships that are born online. They take place entirely within the mind, which is capable of producing idealized images never to be equaled by reality. With the right stroke of keys, a savvy writer could potentially seduce a susceptible victim into emotional entrapment. That’s why the Internet is a predator’s playground.

The Beauty and the Ugliness of Loss in ‘The Boys Are Back’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

ATLANTA – Sometimes human tragedy hits dramatically, but other times it subtly, imperceptibly, alters the intrinsic fibers of everyday life in undetectable ways. That is the premise behind Scott Hicks’ film “The Boys Are Back.” It is the story not of death, but of the strategy human beings devise to cope, to defend and to protect themselves against pain and loss.

Julia Roberts, Clive Owen Shine in Tony Gilroy’s Clever ‘Duplicity’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Writer/director Tony Gilroy (“Michael Clayton”) uses words the same way horror movie directors use blood or action movie auteurs use bullets. His weapon of choice, witty repartee, is delivered wonderfully in the enjoyable, clever, charming “Duplicity,” starring Clive Owen, Julia Roberts, Paul Giamatti, and Tom Wilkinson.

Clive Owen, Naomi Watts Fail to Save Deadly Dull ‘The International’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGOTom Tykwer’s “The International,” an alleged thriller starring Clive Owen and Naomi Watts, is one of the most surprisingly inert films so far this year, an awfully written conspiracy flick that never gets out of neutral and is only remotely worth someday seeing for one fantastic action sequence.

‘Shoot ‘Em Up’ a Raucous, Viscerally Stimulating Experience

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – For a raucously good time, “Shoot ‘Em Up” is a visceral experience you won’t soon forget. Under the guise of a hardcore action gun flick, this film surprisingly has baby undertones.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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