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Clive Owen

Stellar Actors Put ‘Words and Pictures’ Together

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Words and Pictures” is a bit twee. In the film’s central debate between which medium has more influence, there was a drunken writer, prep students straight out of “Dead Poet’s Society” and cutesy romance. But there was also Clive Owen and Juliette Binoche at the top of their performance games, and they uplifted all these regular story elements.

‘Shadow Dancer’ with Clive Owen is Tense IRA Thriller

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Would you betray your cause and the rest of your family tree for the safety of your son? Such is the nightmarish question that Collette must answer in James Marsh’s tense, complex “Shadow Dancer,” a slow-burn thriller that may be a bit too slow at times but builds in power by the final reel. It is On Demand now and opens in New York and Los Angeles on Friday, May 31. It’s worth seeking out.

Clive Owen, Carice Van Houten Star in Hollow ‘Intruders’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Clive Owen is a fantastic actor, one of the best of his generation in films like “Children of Men” and “Trust.” His co-star in “Intruders,” Carice Van Houten, generally makes everything she does more interesting (and memorably appears in the new season of “Game of Thrones”). And yet neither of these talented thespians can do a thing to save “Intruders,” an inert, boring supernatural thriller, a flick that joins the crowded subgenre of childhood boogeyman scare-fests that fail to find the spine-tingling power of what we think may be under the bed.

‘Killer Elite’ Mistakes Cliché For Action

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “Killer Elite” is an exhausting, nonsensical, illogical, loud collection of action clichés masquerading as a modern action film. It features characters less three-dimensional than most cartoons doing and saying things that are only done and said in movies. Bad movies. Really bad movies.

Searing Performances Elevate David Schwimmer’s ‘Trust’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – There’s an unsettling potency to relationships that are born online. They take place entirely within the mind, which is capable of producing idealized images never to be equaled by reality. With the right stroke of keys, a savvy writer could potentially seduce a susceptible victim into emotional entrapment. That’s why the Internet is a predator’s playground.

The Beauty and the Ugliness of Loss in ‘The Boys Are Back’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

ATLANTA – Sometimes human tragedy hits dramatically, but other times it subtly, imperceptibly, alters the intrinsic fibers of everyday life in undetectable ways. That is the premise behind Scott Hicks’ film “The Boys Are Back.” It is the story not of death, but of the strategy human beings devise to cope, to defend and to protect themselves against pain and loss.

Julia Roberts, Clive Owen Shine in Tony Gilroy’s Clever ‘Duplicity’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Writer/director Tony Gilroy (“Michael Clayton”) uses words the same way horror movie directors use blood or action movie auteurs use bullets. His weapon of choice, witty repartee, is delivered wonderfully in the enjoyable, clever, charming “Duplicity,” starring Clive Owen, Julia Roberts, Paul Giamatti, and Tom Wilkinson.

Clive Owen, Naomi Watts Fail to Save Deadly Dull ‘The International’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGOTom Tykwer’s “The International,” an alleged thriller starring Clive Owen and Naomi Watts, is one of the most surprisingly inert films so far this year, an awfully written conspiracy flick that never gets out of neutral and is only remotely worth someday seeing for one fantastic action sequence.

‘Shoot ‘Em Up’ a Raucous, Viscerally Stimulating Experience

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – For a raucously good time, “Shoot ‘Em Up” is a visceral experience you won’t soon forget. Under the guise of a hardcore action gun flick, this film surprisingly has baby undertones.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Positively Present: An Uplifting Cabaret

    CHICAGO – When faced with adversity, the best way around it is to somehow break into song. That is the feeling behind the Brown Paper Box Co.’s “Positively Present: An Uplifting Cabaret,” running April 7th and 8th at Mary’s Attic in Chicago’s Andersonville neighborhood. The event features company member Kristi Szczepanek as host, and presents song stylings by other company members, including Anna Schutz, plus some special guests. For details and ticket information, click here.

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

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