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Chloe Grace Moretz

Story Lets Down Chloe Grace Moretz in Stupid ‘Hick’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – It’s understandable that people from the Southern or rural United States would criticize the general media. With films like “Hick,” which generally portray them as idiots or sociopathic, there is no balance or honest characterizations. Chloe Moretz, Blake Lively, Eddie Redmayne and Alec Baldwin add their take on it all.

Keep Tim Burton’s ‘Dark Shadows’ Out of the Light

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Tim Burton’s “Dark Shadows” is one of the most inconsistent and frustrating major films in a long time. There are elements here and there that work but Burton and writer Seth Grahame-Smith seem incapable of figuring out how to wrangle them into a coherent, successful film.

Gorgeous ‘Hugo’ Plays Like Cinematic Snow Globe

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Martin Scorsese’s “Hugo” is a deeply personal piece, a magical tale about imagination and the importance of film preservation presented with some of the most technical expertise in years. It is also a strikingly cold film, an adventure that doesn’t contain the whimsy, pace, or charm that it really needed to in order to connect emotionally as well as intellectually.

Incomprehensible Story, Uninteresting Characters Sink in ‘Texas Killing Fields’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Ami Canaan Mann’s “Texas Killing Fields” is further proof of just how difficult it is to do what David Fincher does so well. “TKF” may have echoes of “Seven” and “Zodiac” but none of the character, mood, or even cohesion of those films. The best word to describe this misstep is a “mess” as the movie jumps around between plotlines and characters and never gives the viewer the footing that would make them resonate as something worth caring about or entertaining.

Harrowing ‘Let Me In’ Stands Tall Next to Original

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Believing all remakes are pointless is as narrow-minded as suggesting that they’re all worthwhile. It’s not an all-or-nothing proposition. Like a fantastic cover version of an amazing song, there can be room for more than one cinematic interpretation of the same story.

Wildly Entertaining ‘Kick-Ass’ Lives Up to Its Title

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With a half dozen superhero movies every year that feel as if they were created by a Hollywood blockbuster machine, it’s so refreshing to see one with its own distinct, subversive personality like Matthew Vaughn’s “Kick-Ass”.


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  • Fringe: "August"

    CHICAGO – I find it fascinating that “Fringe,” the show that always seemed to be on the bubble for renewal and was always included in articles about low-rated programming, appears to be one of the most influential on the Fall 2013 season. FOX has two new dramas in the Fall and they’re both from “Fringe” alum — J.J. Abrams’ “Almost Human” and Robert Orci & Alex Kurtzman’s “Sleepy Hollow”. They’re clearly looking for, believe it or not, the next “Fringe.” For while the smart sci-fi drama never found a huge audience on TV, it found an incredibly loyal one on Blu-ray, On Demand, iTunes, etc. and those fans can now complete their collection with a bittersweet but complete fifth and final season release.

  • Mama

    CHICAGO – “Mama” isn’t exactly an original piece (it borrows heavily from horror archetypes, particularly those that turned Asian horror into a trend) but it isn’t always the originality of the composition but how well it’s played that matters. “Mama” is, mostly, well-played. The atmosphere brought to it by director Andy Muschietti, the character depth provided by Jessica Chastain, the brilliant touch of producer Guillermo Del Toro — “Mama” deliveres. Mostly. Some decisions made in the CGI department are disappointing but there’s still a lot to like here. Definitely worth a rental.

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