Chloe Grace Moretz

Rating: 2.5/5.0

CHICAGO – Tim Burton’s “Dark Shadows” is one of the most inconsistent and frustrating major films in a long time. There are elements here and there that work but Burton and writer Seth Grahame-Smith seem incapable of figuring out how to wrangle them into a coherent, successful film.

Rating: 3.5/5.0

CHICAGO – Martin Scorsese’s “Hugo” is a deeply personal piece, a magical tale about imagination and the importance of film preservation presented with some of the most technical expertise in years. It is also a strikingly cold film, an adventure that doesn’t contain the whimsy, pace, or charm that it really needed to in order to connect emotionally as well as intellectually.

Rating: 2.0/5.0

CHICAGO – Ami Canaan Mann’s “Texas Killing Fields” is further proof of just how difficult it is to do what David Fincher does so well. “TKF” may have echoes of “Seven” and “Zodiac” but none of the character, mood, or even cohesion of those films. The best word to describe this misstep is a “mess” as the movie jumps around between plotlines and characters and never gives the viewer the footing that would make them resonate as something worth caring about or entertaining.

Rating: 5.0/5.0

CHICAGO – Believing all remakes are pointless is as narrow-minded as suggesting that they’re all worthwhile. It’s not an all-or-nothing proposition. Like a fantastic cover version of an amazing song, there can be room for more than one cinematic interpretation of the same story.

Rating: 4.0/5.0

CHICAGO – With a half dozen superhero movies every year that feel as if they were created by a Hollywood blockbuster machine, it’s so refreshing to see one with its own distinct, subversive personality like Matthew Vaughn’s “Kick-Ass”.