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Certified Copy

Zen and the Art of Cinema in ‘24 Frames’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The legendary Iranian filmmaker Abbas Kiarostami (“Certified Copy”) passed away in 2016, but he left one more meditation on cinema and illusion, in the artistic “24 Frames.” Yes, it refers to the number of still photos that make up a second of film, but in this case it is also Kiarostami’s observations of stillness in motion.

Kiarostami Continues to Mesmerize with ‘Like Someone in Love’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Minor Abbas Kiarostami is still a reason for celebration. While the internationally acclaimed auteur’s latest work, “Like Someone in Love,” opening tomorrow at the Music Box Theatre in Chicago, is a bit more frustrating than his best films (“Certified Copy,” “The Wind Will Carry Us”), it still contains such confident, intriguing filmmaking that it merits consideration for your movie dollar this weekend.

Abbas Kiarostami’s ‘Certified Copy’ Tantalizes, Delights

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Nothing transfixes me quite like transcendent acting and writing when viewed under a cinematic lens. My favorite films of early 2011 have been Tommy Lee Jones’s stunning adaptation of Cormac McCarthy’s play, “The Sunset Limited,” and Abbas Kiarostami’s beguiling new masterwork, “Certified Copy.” Both films derive their dramatic power from the differing philosophies of two articulate characters who may or may not be what they seem.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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