Caleb Landry Jones

‘Three Billboards Outside Ebbing, Missouri’ Examines Our Violence

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Film is often an expression of our society, either as a depiction of how it really is or how it should be. Few films are as daring as Martin McDonagh’s “Three Billboards Outside Ebbing, Missouri,” which isn’t afraid to show us the state of our society and offer a realistic solution through a grim drama that is as humorous as it is devastating.

Tom Cruise in ‘American Made’ Never Gets Off the Ground

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Tom Cruise was once a Top Gun, but his newest film “American Made” never really takes off. It wants to be a truth-is-stranger-than-fiction kind of satire where commercial airline pilot Barry Seal (Tom Cruise) winds up getting involved in the Iran Contra Affair and the Medellín drug cartel, but it never creates an enthralling place or story.

Neil Jordan’s ‘Byzantium’ Feels Drained of Passion

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I’ve rarely said this about Neil Jordan movie – in fact, maybe never – but I was bored during his latest, the vampire drama “Byzantium,” a movie with an intriguing cast and interesting story but little in the way of passion, emotion, dread, or the other intangibles needed to make a horror film like this effective.

Mark Wahlberg’s ‘Contraband’ Steals Half Justice From Icelandic Conquest

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – One way to craft an unforgettable, undeniably adept film is to make a new one. Hollywood views that as financially risky, though, and it often doesn’t happen without being based on a book with a built-in audience or a film that’s already an international box-office success.

Riveting ‘The Last Exorcism’ Burns Its Way Under Your Skin

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Working from inspirations as diverse as “The Exorcist” and Lars Von Trier, Daniel Stamm’s “The Last Exorcism” is one of the most interesting and accomplished horror debuts of the last few years. The final act gets a bit predictably messy but the fascinating slow burn of the first two more than makes up for any stumbling near the finish line.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Little Women: The Musical

    CHICAGO – The story of “Little Women,” by Louisa May Alcott, has been an American institution since its publication in 1869. The story of four girls-to-little-women during the American Civil War, with their indomitable mother holding down the household while their father is away in the war, was a perfect candidate to become a Broadway musical. The Brown Paper Box Co. (BPBCo) is currently presenting a brilliant adaptation of that musical for the storefront stage, and its emotion, music craft and energy is nothing sort of a triumph… this small theater company that could does it again. The show has various evening/matinee performances at the The Strawdog Theatre in Chicago through February 9th, 2018. Click here for more details, including ticket information.

  • Deadbeat2

    CHICAGO – Not many web series start out as music videos, but the new online (YouTube) drama “Deadbeat 2” was just that. Created, written and directed by Danny Froze, the made-in-Chicago story recently premiered episodes five and six in the series, which features actor Kiwaun Stoutmire in the lead role of Ronnie.

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