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Caleb Landry Jones

‘Three Billboards Outside Ebbing, Missouri’ Examines Our Violence

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Film is often an expression of our society, either as a depiction of how it really is or how it should be. Few films are as daring as Martin McDonagh’s “Three Billboards Outside Ebbing, Missouri,” which isn’t afraid to show us the state of our society and offer a realistic solution through a grim drama that is as humorous as it is devastating.

Tom Cruise in ‘American Made’ Never Gets Off the Ground

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Tom Cruise was once a Top Gun, but his newest film “American Made” never really takes off. It wants to be a truth-is-stranger-than-fiction kind of satire where commercial airline pilot Barry Seal (Tom Cruise) winds up getting involved in the Iran Contra Affair and the Medellín drug cartel, but it never creates an enthralling place or story.

Neil Jordan’s ‘Byzantium’ Feels Drained of Passion

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I’ve rarely said this about Neil Jordan movie – in fact, maybe never – but I was bored during his latest, the vampire drama “Byzantium,” a movie with an intriguing cast and interesting story but little in the way of passion, emotion, dread, or the other intangibles needed to make a horror film like this effective.

Mark Wahlberg’s ‘Contraband’ Steals Half Justice From Icelandic Conquest

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – One way to craft an unforgettable, undeniably adept film is to make a new one. Hollywood views that as financially risky, though, and it often doesn’t happen without being based on a book with a built-in audience or a film that’s already an international box-office success.

Riveting ‘The Last Exorcism’ Burns Its Way Under Your Skin

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Working from inspirations as diverse as “The Exorcist” and Lars Von Trier, Daniel Stamm’s “The Last Exorcism” is one of the most interesting and accomplished horror debuts of the last few years. The final act gets a bit predictably messy but the fascinating slow burn of the first two more than makes up for any stumbling near the finish line.

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  • Cornerstone, Nothing Without a Company

    CHICAGO – We all need some help. The stage play group Nothing Without a Company realizes that, and has collaborated with the organization “Cornerstone” to provide that assistance. Cornerstone is a seminar and a happening in downtown Chicago, facilitated by “experts” to generate your potential. The presentation has a Thursday-Sunday run at Michigan Avenue’s Artspace 8 through April 29th, 2018. Click here for more details, including ticket information.

  • Cold War

    CHICAGO – Local filmmaking is thriving, thanks to the many creators who choose to make independent movies in Chicago. Co-directors Stirling McLaughlin and J. Wilder Konschak (also writer) brought their cast and crew to the Windy City to make their comedy, “Cold War.” The film made its digital debut on April 6th, 2018, and will be available on iTunes, Google Play, FandangoNow, Amazon, Vudu and more.

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