CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
CHICAGO – They have now officially run out of places in which to terrorize beautiful people on film with the release of the bizarre and unfulfilling “ATM,” a new thriller with three talented actors nonetheless caught in an ineffective film that stretches to meet its running time and then ends with a final act that destroys suspension of disbelief. There are brief glimpses here of the movie that could have worked but there’s a reason it’s only opening in limited release for now and playing On Demand through most of the rest of the country. It’s not a successful transaction.
CHICAGO – Filmmaking simply doesn’t get much more riveting than Kathryn Bigelow’s incredible “The Hurt Locker,” a cinematic experience unlike any other that you will have this year. Building and releasing tension better than her peers have in a long time, Bigelow has made not only the best Iraq War movie to date but the best film of 2009 at just over the halfway point.