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Brian Geraghty

Odd Thriller ‘ATM’ with Alice Eve, Brian Geraghty

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – They have now officially run out of places in which to terrorize beautiful people on film with the release of the bizarre and unfulfilling “ATM,” a new thriller with three talented actors nonetheless caught in an ineffective film that stretches to meet its running time and then ends with a final act that destroys suspension of disbelief. There are brief glimpses here of the movie that could have worked but there’s a reason it’s only opening in limited release for now and playing On Demand through most of the rest of the country. It’s not a successful transaction.

Riveting, Must-See ‘The Hurt Locker’ is Flawless Filmmaking

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Filmmaking simply doesn’t get much more riveting than Kathryn Bigelow’s incredible “The Hurt Locker,” a cinematic experience unlike any other that you will have this year. Building and releasing tension better than her peers have in a long time, Bigelow has made not only the best Iraq War movie to date but the best film of 2009 at just over the halfway point.

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  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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