CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.
CHICAGO – They have now officially run out of places in which to terrorize beautiful people on film with the release of the bizarre and unfulfilling “ATM,” a new thriller with three talented actors nonetheless caught in an ineffective film that stretches to meet its running time and then ends with a final act that destroys suspension of disbelief. There are brief glimpses here of the movie that could have worked but there’s a reason it’s only opening in limited release for now and playing On Demand through most of the rest of the country. It’s not a successful transaction.
CHICAGO – Filmmaking simply doesn’t get much more riveting than Kathryn Bigelow’s incredible “The Hurt Locker,” a cinematic experience unlike any other that you will have this year. Building and releasing tension better than her peers have in a long time, Bigelow has made not only the best Iraq War movie to date but the best film of 2009 at just over the halfway point.