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Brian Cox

Predictable ‘The Campaign’ Hinges on Hilarious Newlyweds Will Ferrell, Zach Galifianakis

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Will Ferrell makes five new proclamations loud and clear: he’s a comic dream-team duo with Zach Galifianakis in “The Campaign,” punching a baby and then a dog are seriously funny, real-life politics should take a lesson from this over-the-top smear campaign, you need one supporting Korean weapon and there’s nearly no such thing as a 100% comedy that delivers on 100% of its comedy.

Ralph Fiennes Modernizes Shakespeare in ‘Coriolanus’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The plays of William Shakespeare, influencing culture and morality for over 400 years, continue to open themselves up to new interpretations and settings. Ralph Fiennes directs and stars in a film version adaptation of “Coriolanus,” set against the modern day machinations of politics and war.

Thrilling, Marvelous ‘Rise of the Planet of the Apes’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – “Rise of the Planet of the Apes” is spectacular entertainment, a perfect capper to the blockbuster season that is arguably the most purely enjoyable film of the warmer months of 2011. Rupert Wyatt’s highly-anticipated prequel is an old-fashioned piece of sci-fi escapism made with some of the revolutionary new toys available to special effects artists.

Talented Ensemble Wasted on Incredibly Dull ‘Red’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – They say you can learn as much from a bad movie as you can from a good one. If that’s true, what’s the lesson to be taken from the extremely boring and misguided “Red”? Perhaps that moviemaking is not the sum of its parts and that you can’t just get together an amazing cast, shout action, and expect magic.


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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Jack Reacher with Tom Cruise

    CHICAGO – “Jack Reacher” doesn’t work as an action movie. However, if you approach the mannered dialogue and dark storytelling as a noir, which is what I believe the writer and director (if not the marketing team at Paramount) intended, then there’s a lot to like here. It’s a stylized, slick, well-made ride with some crackling dialogue, charismatic performances, and heavy doses of style.

  • Safe Haven

    CHICAGO – At its best, Lasse Hallstrom’s “Safe Haven,” based on the book by the insanely popular Nicholas Sparks, is merely safe, Lifetime Channel TV Movie junk. At its worst, it’s pretty offensive and exploitative of women actually stuck in abusive situations and men forced into single parenthood after losing a spouse. As he has done before, Sparks takes real-world issues and turns them into manipulative devices. Hallstrom (“Chocolat”) has enough filmmaking skill to keep it from getting too boring despite the attempts on the part of the two remarkably dull leads to put you to sleep.

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