Bradley Cooper

Journey to Conclusion is the Thrill of ‘Avengers: Endgame’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – When it comes down to this, and the creators do it right, there is no more satisfying conclusion than “Avengers: Endgame.” Admirers of this magnificent Marvel (Studios) Universe story will get everything they want. It is the “Gone with the Wind” of superhero epic films.

Lady Gaga Characterizes the Title ‘A Star is Born’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Stefani Joanne Angelina Gemanotta, also known as Lady Gaga, is the only reason to see the latest iteration of ‘A Star is Born.’ The luminous stage presence that propelled her to music superstardom is present in her major film debut, taking the female lead reins from Judy Garland and Barbra Streisand.

Cut of Nostalgia in ‘Guardians of the Galaxy Vol. 2’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – When I first saw “Guardians of the Galaxy” I was unfamiliar with the comic book source. I enjoyed the film, but worried it might be just a little too nerdy and obscure to develop a following. Now with “Guardians of the Galaxy Vol. 2,” the series has solidified itself as the class clowns of the Marvel Studios cinematic universe, and it’s been embraced for it.

‘War Dogs’ Fires Blanks in a Sorry Attempt at Satire

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “War Dogs” is an insufferable, self important, and heavy handed attempt at satire that can’t stop congratulating itself for all the big truths it’s blowing up, bro. “Old School” and “Hangover” director Todd Phillips fancies himself an auteur, but here it seems like he’s imitating David O Russell imitating Martin Scorsese.

Unusual, Passionate ‘Aloha’ is Deeply Resonant

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Films with major movie stars that take real chances on story formula are rare. “Aloha” is one such example, and produces considerations that are way off the beaten path. Is it an allegory? An absurdity? An homage to 1960s paranoia? Only writer/director Cameron Crowe knows for sure.

Bradley Cooper’s ‘American Sniper’ is Entertaining, One-Sided American Propaganda

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I understand why they did it. But that doesn’t make it right to do.

In order to earn sign-off from Chris Kyle’s family and the U.S. Navy – and to appease the patriotic American public – “American Sniper” needed to make the U.S. military’s most lethal sniper nicer than he actually was and generalize a people as people you should hate.

Lack of Full Disclosure Trips Up ‘American Sniper’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – A straightforward story about the military marksman Chris Kyle is pretty much told in “American Sniper,” by director Clint Eastwood. But what is left out of the movie – Kyle’s right wing politics and a depiction of his fate – is more curious than what is actually presented.

‘Guardians of the Galaxy’ a Gleeful Space Romp

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Guardians Of The Galaxy” is a gleeful Star Wars knockoff dressed up in Marvel Comics clothing. It occupies the same universe as Marvel’s other properties, but its tone is decidedly sillier. It has a spirit more akin to the later joke heavy installments of the Star Trek franchise or low budget exploitation mogul Roger Corman’s “Battle Beyond The Stars” than the ponderous pontificating of “Thor.”

Great Performances Drive Entertaining ‘American Hustle’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

As career con man Irving Rosenfeld (Christian Bale) introduces newly-undercover FBI agent Richie DiMaso (Bradley Cooper) to his world of criminal enterprise, he shows him a Rembrandt painting in a museum, revealing that it’s a fake. Millions of people have seen and admired it, not realizing that it’s not the original. Does it matter if they get the same artistic enjoyment out of it?

Worse Than a Real One, ‘The Hangover Part III’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – With a lazy, over-plotted story, and a cast that are desperately going through the motions, “The Hangover Part III” is the latest example of a contract obligation disguising itself as a movie. Writer/director Todd Phillips sluggishly pounds out another one, with simply no originality.

Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

Advertisement



HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
tracker