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Bob Odenkirk

Quiet Desperation Gets Louder in ‘Nebraska’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Bruce Dern is an actor who has turned in some indelible performances in his over 50 year film career. He saves one of the best for now, as he breathes life into an old man who wants one more time in the sun. So begins a journey with his son, portrayed by Will Forte, in “Nebraska.”

Jeff Garlin Directs Inconsistent ‘Dealin’ with Idiots’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Jeff Garlin has created a good “character” in TV and films – a gruff but affable schlemiel that ambles through life as if distracted. He amplifies that role in his latest comedy, “Dealin’ with Idiots,’ but the loose improvisation style has too many unfunny stretches and an unpleasant spirit.

Jenna Fischer Stars in Sweet ‘The Giant Mechanical Man’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Don’t let the awful title fool you — “The Giant Mechanical Man” is not sci-fi. This cute dramedy tackles well-trod ground in the world of indie film but Lee Kirk conveys enough honest affection for his well-crafted characters that the piece works.

Slapstick in ‘The Brothers Solomon’ Dumber Than ‘Dumb & Dumber’

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – With 2007 films like “Knocked Up” and “Superbad,” the smart and embarrassingly truthful geek comedies are the current wave of humor in America.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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