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Bob Odenkirk

Quiet Desperation Gets Louder in ‘Nebraska’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Bruce Dern is an actor who has turned in some indelible performances in his over 50 year film career. He saves one of the best for now, as he breathes life into an old man who wants one more time in the sun. So begins a journey with his son, portrayed by Will Forte, in “Nebraska.”

Jeff Garlin Directs Inconsistent ‘Dealin’ with Idiots’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Jeff Garlin has created a good “character” in TV and films – a gruff but affable schlemiel that ambles through life as if distracted. He amplifies that role in his latest comedy, “Dealin’ with Idiots,’ but the loose improvisation style has too many unfunny stretches and an unpleasant spirit.

Jenna Fischer Stars in Sweet ‘The Giant Mechanical Man’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Don’t let the awful title fool you — “The Giant Mechanical Man” is not sci-fi. This cute dramedy tackles well-trod ground in the world of indie film but Lee Kirk conveys enough honest affection for his well-crafted characters that the piece works.

Slapstick in ‘The Brothers Solomon’ Dumber Than ‘Dumb & Dumber’

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – With 2007 films like “Knocked Up” and “Superbad,” the smart and embarrassingly truthful geek comedies are the current wave of humor in America.

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  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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