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Billy Bob Thornton

Sandra Bullock Bombs in Bad ‘Our Brand is Crisis’

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – This misbegotten political satire shows almost as much contempt for its audience as its characters do for the politicians they’re supposed to be helping. This movie thinks it is smartly cynical, but it’s about as smart as a Larry the Cable Guy routine at a Donald Trump rally. Hate is not a big enough word for how I felt about this movie. I loathed, detested, scorned, despised, and abhorred this Hollywood abomination, that is so full of its own smug satisfaction it can’t see how dumb it really is.

It is Best to Steer Clear of This ‘Entourage’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I actually did watch the HBO show this big-screen iteration is based on, and I looked back in surprise to find the show actually lasted for 8 years. That’s a long time for a show that peaked in season two, and petered out into irrelevance somewhere around season four or so.

Billy Bob Thornton’s ‘Jayne Mansfield’s Car’ Stalls Out

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There was a time when it looked like not only would Oscar winner Billy Bob Thornton be one of our great actors but possibly a threat behind the camera as well. Everyone knows the impression of his character from “Sling Blade” but many forget that he directed it as well. He followed that up with the flawed but ambitious and interesting “All the Pretty Horses.”

Despite Poehler’s Wit, ‘Mr. Woodcock’ Underwhelms With Wasted Thornton, Sarandon Talent

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – Just from eyeing the “Mr. Woodcock” movie poster, you could suspect exactly what the movie will be. Just 90 minutes later, your suspicions would be confirmed.

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  • Asylum, The Logo

    CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.

  • Baltimore Waltz, The

    CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.

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