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Ben Stiller

‘Zoolander 2’ Continues Silly, Surreal Hilarity

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Humor is subject to the receiver, of course, and what is funny is as distinct to each individual as a fingerprint. Having said that, I found “Zoolander 2” to be hilarious, as it delivered again what made the first film work – tweaking the self-importance of fashion and celebrity.

An Age Range of Human Conditions in ‘While We’re Young’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – We’re born, we’re nurtured, we seek purpose and we die. In between there are a million decisions between the words of that opening sentence, and writer/director Noah Baumbach understands that intuitively in his great new film, “While We’re Young.”

Frustrating Journey Into ‘The Secret Life of Walter Mitty’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

I so want to love Ben Stiller’s “The Secret Life of Walter Mitty.” Stiller’s directorial work on films like “The Cable Guy” and “Tropic Thunder” was underrated, the source material is great, the message of living in the moment has more value in an increasingly cluttered world, and the time seems right for an imaginative journey into the mind of a likable protagonist like Mr. Mitty.

Ben Stiller in ‘The Watch’ Needs a Better Mechanism

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Star studded, special effects ladened “comedies” featuring aliens should have been put to rest after last year’s “Paul.” But “The Watch” is here, and it features Ben Stiller, Vince Vaughn, Jonah Hill and an odd Richard Ayoade as four suburban neighborhood watch volunteers who end up hunting space men. Yep, right after “Paul.”

Sweet, Enjoyable ‘Madagascar 3: Europe’s Most Wanted’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It’s incredibly rare to be able to say this – the third installment in a hit animated franchise could arguably be the best. “Madagascar 3: Europe’s Most Wanted” is certainly more fun, clever, and enjoyable than the last film in this series and probably holds its own against the original.

Ben Stiller in ‘Tower Heist’ is a Waste of Time, Talent

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – The frustrating madness that is the typical Hollywood movie never ceases to amaze, in the sense where large sums of cash are outlaid to pair the right movie stars together, and not one wit is expended to create an interesting or cohesive story. “Tower Heist” is the latest example of this sad trend.

Robert De Niro, Ben Stiller Seem Bored in Tepid ‘Little Fockers’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The Law of Diminishing Returns is alive and well in the “Meet the Parents” Franchise, as the third film in the series, “Little Fockers,” has a lazy, we-did-it-for-the-money veneer. They got the gang back together, Robert De Niro, Ben Stiller, Owen Wilson, Barbra Streisand and the rest, but with few exceptions they all seem bored with it all.

‘Night at the Museum: Battle of the Smithsonian’ is Predictable, Clustered Drivel

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The sequel “Night at the Museum: Battle of the Smithsonian” is, presumably, an effort by director Shawn Levy (“Night at the Museum” in 2006 and “The Pink Panther”) and writers Robert Ben Garant and Thomas Lennon (who both wrote the first film) to weave together an exciting and educational film.

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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