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Annette Bening

HollywoodChicago.com ESP, En Español: ‘xXx,’ ‘Split,’ ‘Paterson’ y ‘20th Century Women’

CHICAGO – Cada semana, HollywoodChicago.com le traerá las criticas de las películas que hemos visto y que están saliendo esa semana, pero en español. HollywoodChicago.com ESP no sólo representa HollywoodChicago.com Espanol, sino también Esta Semana en Peliculas.

Two Stories Clash in Uneven ‘Rules Don’t Apply’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Movie icon Warren Beatty had wanted to make a film about 20th Century billionaire Howard Hughes for close to 40 years. On the heels of Martin Scorsese’s “The Aviator,” Beatty has written, directed and portrays Hughes in “Rules Don’t Apply,” and has created a strange farce about the mogul and a romance tale around him.

Imagine What Could Have Been for ‘Danny Collins’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Danny Collins” is a shoulda-woulda-coulda film. It was inspired by the true story of a John Lennon letter acquired by a musician 40 years after he was suppose to to have received it, and then re-imagined as a cheap soap opera, punctuated by far superior John Lennon songs.

Elle Fanning Delivers Her Best Performance in ‘Ginger and Rosa’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – There are plenty of good reasons to see Sally Potter’s beguiling, tenderly bittersweet coming-of-age drama, “Ginger & Rosa,” but one reason trumps them all. Her name is Elle Fanning. The enormous potential she exuded in everything from art house gems (“Somewhere”) to mainstream blockbusters (“Super 8”) pays off in this sterling showcase, solidifying her status—at age 14—as one of the top talents in modern film acting.

Zoe Kazan Illuminates Fascinating Fable of ‘Ruby Sparks’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Jonathan Dayton & Valerie Faris return to the spotlight this week with their first film since the award-winning “Little Miss Sunshine” and they completely defy the sophomore slump, delivering a smart, fascinating, fun gem in the spectacular “Ruby Sparks.” Buoyed by one of the best screenplays of the year courtesy of one of our most interesting young actresses, “Ruby Sparks” is a clever romantic fantasy that works on nearly every level.

Annette Bening, Julianne Moore Out in the Light With ‘The Kids Are All Right’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It is Hollywood that is often ahead of the social curve, expressing in art what most people can’t fathom in real life. “The Kids Are All Right” is that type of consciousness, depicting a committed lesbian couple – played by Annette Bening and Julianne Moore – coming to grips with transitions occurring with their kids.

Annette Bening, Naomi Watts Lack the Connection in ‘Mother and Child’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Mother and Child,” with an all star cast of Annette Bening, Naomi Watts, Samuel L. Jackson, Jimmy Smits and Kerry Washington, is mindful of its subject matter, that rare and elusive connection between a mother and their offspring. However, the film has difficulties when the characters become inconsistent with their past backgrounds after that connection is introduced.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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