Andy Serkis

‘The Batman’ with Robert Pattinson is On Its Way Up

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Since I was no fan of of director Zack Snyder’s take on the Caped Crusader – “Batman v Superman” and “The Justice League” being some of the worst superhero movies ever to sputter onto the big screen – as far as I was concerned the franchise had nowhere to go but up.

All Forms of Heroism Available in ‘Black Panther’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – The fortune of the latest Marvel Studios superhero epic, “Black Panther,” lies in its solid foundation in African mythos and intelligent storytelling. And with Ryan Coogler (“Creed”) as director, there are still major confrontations and battles, intertwined into the soul.

‘War for the Planet of the Apes’ Delivers Old Hollywood Glory

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Since the Golden Age of cinema, theaters have tried countlessly to deliver up big budget films. Summer is here and the public is showing that they are cooling off these blockbusters, no longer fooled by the thought that cost equates to quality. “War for the Planet of the Apes” shows us that blockbusters may still be redeemed by channeling some Old Hollywood magic.

‘Star Wars: Episode VII - The Force Awakens’ is the One We’ve Been Waiting For

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO (No Spoilers!) – I felt privileged on Tuesday morning. Not just to be a Chicago film critic, but to be a movie lover. Film critics and movie lovers alike wade through scores of yawners hoping for one or two masterpieces that remind us why we fell in love with the experience of watching a film in the company of people we like. Just in time to close out 2015, we’re met with the rare opportunity to take part in moviemaking magic once more.

Dull Soap Opera in ‘Dawn of the Planet of the Apes’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Dawn Of The Planet Of The Apes” just goes to show that you can have the most expensive and best looking visual effects money can buy, but it doesn’t mean a damn thing if you haven’t got a good tale to tell.

Steven Spielberg’s Disappointing ‘The Adventures of Tintin’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Being a huge Steven Spielberg fan and a pretty big aficionado of Peter Jackson (who produced) as well, I was pretty psyched to see what these two undeniable geniuses could do in the world of motion-capture animation with their collaboration on the adaptation of the hit Herge cartoon “The Adventures of Tintin.” That’s why it hurts me to say that, excepting a few stand-out action scenes, this is a shockingly dull affair, something that lulled me to sleep far more often than it inspired my imagination to life.

Unfunny ‘Burke and Hare’ Wastes Top-Notch Cast

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There are few sights more depressing than a game cast all dressed up with nowhere to go and no good jokes to share. “Burke and Hare” is the sort of comedy Mel Brooks was making in the ’90s. All the ingredients are on hand for a promising comedy, and yet something’s missing—namely, laughter. The timing is off, the punch-lines are obvious and the actors are bored beyond belief.

‘Brighton Rock’ Remake Fails to Justify its Existence

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Rowan Joffe’s long-gestating remake of “Brighton Rock” (the 1947 noir classic was based on the beloved book by Graham Greene) raises the question least-desired in one of these situations – why bother? Sure, the story is a nifty little tale of a rising criminal undone by his own avarice and the love of a girl and the cast assembled for the remake is an undeniably talented ensemble.

Thrilling, Marvelous ‘Rise of the Planet of the Apes’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – “Rise of the Planet of the Apes” is spectacular entertainment, a perfect capper to the blockbuster season that is arguably the most purely enjoyable film of the warmer months of 2011. Rupert Wyatt’s highly-anticipated prequel is an old-fashioned piece of sci-fi escapism made with some of the revolutionary new toys available to special effects artists.

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