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‘City of Ghosts’ Puts Citizen Faces on Syrian Crisis

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Syria has become a distant place, disconnected from the wider world through civil war and extreme sociopolitical instability, including the takeover of some regions by ISIS (the Islamic State). “City of Ghosts” looks at Raqqa, a Syrian city with the iron boot of ISIS on their necks, and the citizens who risk their lives to tell that story to the world.

Gravity of Poetic Dreams Carry Weight in ‘Paterson’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – What is more ordinary than a man alone with his thoughts, and then applying those thoughts to paper in the form of poetry? “Paterson” is a celebration of such ritual, and other dreams in the working class. It never panders, it never makes the “hero” that heroic, but it does challenge him in an ordinary sense, to work it out as meaningful poetics.

Casey Affleck Anchors ‘Manchester by the Sea’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Tis the season for earnest character studies, and Casey Affleck in “Manchester by the Sea” has a doozy. Portraying a Boston guy with a mountain of sadness within, Affleck harbors the range of emotions like a coiled snake ready to strike, but manages to keep it all undercover.

Surprising Fun in Revenge Tale of ‘The Handmaiden’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Although “The Handmaiden” is based in deceit, fetishes, thievery and subservience, director Park Chan-Wook (“Stoker”) keeps it light by the addition of some subversive humor, and weaves a mystery with a pitch that is like the “The Sting” meets “In the Realm of the Senses.”

Old Hollywood Glamour in Woody Allen’s ‘Café Society’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In the 1930s, the contrast between the world of Hollywood movie sparkle and the rest of a Depression-era America was as different as peasants and kings. Writer/director Woody Allen captures this dichotomy with an East Coast/West Coast tale of one family in “Café Society.”

Realistic, Difficult Lives Are Exposed in ‘Wiener-Dog’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO –Director Todd Solondz has made a career out of not shying away from the most uncomfortable negativities of life. From extreme disconnection (“Happiness”) to pedophilia (“Life During Wartime”) to the sad rejection of pre-teen years (“Welcome to the Dollhouse”), Solondz pulls no punches. He achieves that harsh intent yet again in “Wiener-Dog.”

Beauty Becomes Beastly in Uneven ‘The Neon Demon’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “The Neon Demon” is definitely worth seeing, if only to create an understanding as to what you think beauty is, but the film suffers in its last quarter by taking a turn towards horror. This mix of decisions by director Nicolas Winding Refn (“Drive”) is audacious and maddening.

Inventive ‘Chi-raq’ is an Authentic Plea for Sanity

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – A spotlight on Chicago, in the context of guns and violence, is never a good thing for the overall community. But using Chicago as a metaphor for all violent insanity, and making a plea for peace, is the purpose of director Spike Lee’s new film, “Chi-raq.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bobby Pin Girls

    CHICAGO – The “breeder years” are difficult on everyone, as the biological imperative becomes overwhelming and the couplings that result yield both discovery and misadventure. Nothing Without a Company’s new play “Bobby Pin Girls” highlight two such Millennial women, roommates who are having man trouble, although the argument can be made that it’s eternally “boy trouble.” The show has a Thursday-Sunday run at the Chicago Mosaic School through December 3rd, 2017. Click here for more details, including ticket information.

  • Transformers 5 front

    CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course. It’s goofiness is its charm, and it was released on Blu-Ray/DVD on September 26th, 2017 (Digital HD already available).

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