Alfred Molina

Rating: 1.5/5.0

CHICAGO – After the success of “The Twilight Saga: New Moon” and “The Twilight Saga: Eclipse,” Taylor Lautner could have taken any number of paths to breakout with his own star vehicle. He chose to try and fashion himself into an action star, appearing in this weekend’s “Abduction” as a young man discovering he has a very special past. He gets to find love, kick some ass, and even kill some bad guys. And all of it is very, very silly.

Rating: 4.5/5.0

CHICAGO – When we first see the chameleon named Lars (Johnny Depp), soon to be ‘Rango,’ he is doing acting voice exercises. He is basically warming up a film that is a real hoot, and has wonderful heart.

Rating: 3.5/5.0

CHICAGO – The fantasy action epic has joined the animated film as the go-to genre for summer films. Disney joins the fray with “The Sorcerer’s Apprentice,” featuring magic, special effects action and a deep mythology, spiced with Nicolas Cage doing a slightly warped version of a King Arthur-era apprentice for Merlin the Magician.

Rating: 2.5/5.0

CHICAGO – “The Little Traitor” is a story so sweet and so well-intentioned that it practically dares you not to like it. It’s mighty tempting to give it a pass purely on the basis of its premise, which is vital, timely and quite moving. If this story were told by a filmmaker less intent on yanking audience’s heartstrings until they snapped, it may have provided the foundation for a great and important film.

Rating: 2.0/5.0

CHICAGO – Historically, video game adaptations are recipes for disaster when translated into film. While “Prince of Persia: The Sands of Time” with Jake Gyllenhaal and Gemma Arterton has a blockbuster opportunity to buck the decades-old trend, we’re just subjected to more of the same soul-deadening time drain.

Rating: 2.5/5.0

CHICAGO – When it was still called “Humboldt Park” and was probably more closely related to Chicago’s thriving Hispanic neighborhood, Alfredo De Villa’s “Nothing Like the Holidays” was probably a lot more interesting than the cookie-cutter dramedy that ended up on the big screen.