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Alan Rickman

Family Emotions Uplift ‘Lee Daniels’ The Butler’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In one of the more intriguing ways to frame the 1960s civil rights movement, “Lee Daniels’ The Butler” places the context of that African American struggle through the filter of family dynamics, focusing on the father as a butler in the White House, through six presidents.

It All Ends With Satisfying ‘Harry Potter and the Deathly Hallows: Part 2’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – So this is how it ends – not with a whimper but with a big, magical bang. After a decade of captivating movie audiences worldwide, will “Harry Potter and the Deathly Hallows – Part 2” appease the fans who have been eagerly anticipating the end of the saga of the boy who lived? It almost certainly will.

‘Harry Potter and the Deathly Hallows: Part 1’ is the Darkest, Loneliest Potter Film Yet

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – While “Harry Potter and the Deathly Hallows: Part 1” is the most murky and forlorn Potter film yet, its most grave battle is the internal question between the corporate and creative types. Did the splitting of a single finale film into two parts truly improve on its ability to impart this grand tale or was it purely for financial reaping? From what we see in part one of the seventh film in this franchise, it turns out the answer is a lot of both.

Go Ask ‘Alice in Wonderland’ With Johnny Depp, Anne Hathaway

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – It’s like living in a dream. Director Tim Burton’s adaptation of Lewis Carroll’s “Alice in Wonderland” uses 3-D magic for a timeless classic and creates gratitude for this current era of technology and creativity.

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