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Aidan Quinn

‘Sarah’s Key’ Unlocks the Ever-Present Past

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The old saying, “those who cannot remember the past is doomed to repeat it” applies succinctly in “Sarah’s Key,” a Holocaust film with a French twist. Kristin Scott Thomas plays an American journalist who uncovers the facts in a less-remembered incident that reverberates to now.

Liam Neeson Fails to Find Missing Identity of ‘Unknown’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Unknown,” the latest thriller to attempt to turn Liam Neeson into an unusual choice for an action star (a la “Taken” and “The A-Team”), is one of those films that nearly works but falls just short of its audience’s expectations.

Excellent Young Actors Carry Rob Reiner’s Nostalgic ‘Flipped’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Rob Reiner’s “Flipped” is not merely nostalgic for an era when life seemed simpler and sweeter but for an age when every minor detail meant the world and love was as simple as looking into the eyes of a new neighbor. We all remember the days when the smallest act of kindness or meanness changed everything and, thanks to two very strong central performances, “Flipped” captures the essence of those times in a gentle, sentimental romance.

Josh Brolin, Megan Fox Dash Between the Explosions in ‘Jonah Hex’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Delving deep into the comic book lexicon, the latest page-to-film adaptation is “Jonah Hex,” featuring Josh Brolin, Megan Fox and John Malkovich. Hex is a scarred bounty hunter whose primary job seems to be saving America, when he isn’t in the midst of or causing things to blow up real good.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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