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Adrien Brody

‘Third Person’ an Intriguing Yet Foreseeable Labyrinth

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Don’t you hate it when you figure out where a film is going long before it gets there? That could be a problem with “Third Person,” but writer/director Paul Haggis (“Crash”) also adds enough secrets to chew on and enough multiple pathways to explore. Enter at your own risk.

‘The Grand Budapest Hotel’ is Built by Wes Anderson

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The distinct and strangely alluring style of director Wes Anderson is on opulent display in “The Grand Budapest Hotel.” In what is an eccentric, European style fairy tale, Anderson creates a legend that is forged in his signature, along with the performances of a brilliant cast.

Adrien Brody’s ‘Predators’ Unmemorably Lulls Through the Expected Motions

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Good films deliver on their promise. Great films up the ante even more. In this version of the long “Predators” franchise from director Nimrod Antal (“Control,” “Armored,” “Vacancy”) and more-known producer Robert Rodriguez (“Grindhouse,” “Sin City”), we merely see more of the same: just enough to get us by but not nearly enough to make us care.

Adrien Brody, Sarah Polley Are Scientists Creating a ‘Splice’ of Life

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The science of existence gets trickier everyday, and it doesn’t help when humans start creating their own competition. The new film “Splice,” featuring Adrien Brody and Sarah Polley, explores the current trend of genetic research, while at the same time paging Dr. Frankenstein.

‘The Darjeeling Limited’ Seesaws Between Deft, Forced Eccentricity

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – With his aloof character panache and colorful imagery, Wes Anderson is one of those directors you either love dearly or loathe dreadfully.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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