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Aaron Paul

No Faith in the Spectacle of ‘Exodus: Gods and Kings’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The world certainly didn’t need another “Ten Commandments,” but director Ridley Scott tries to remake the 50’s Biblical epic anyway – led by Christian Bale as a scowling and shouting Moses. Yet Bale can’t hold a staff to Charlton Heston and Scott is no Cecil B. DeMille. Ostensibly this is a movie about the power of faith, but Scott’s film has no soul within.

‘Need for Speed’ Also Has Need for a Better Script

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – In interviews to promote the movie, Aaron Paul has said that he was chosen by Steven Spielberg himself to be the lead in this high-speed action thriller, while the executive producer was binge-watching “Breaking Bad”. Those are certainly some undeniable cool points that I can’t blame him for mentioning, regardless of how the movie is received. 

Mary Elizabeth Winstead is Emotionally Wrecked in ‘Smashed’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Young Drunks in Love” could be the subtitle of the new film “Smashed,’ or maybe “Recovery Can’t Recover All.” Regardless, Mary Elizabeth Winstead gives a career-defining performance as a young adult facing up to that adulthood, and leaving behind everything she has known for a life that’s healthier, but less familiar.

Effective Remake of ‘The Last House on the Left’ a Powerful Horror Film

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGODennis Illiadis’ remake of “The Last House on the Left” is the exception the proves the rule that most horror movie remakes are a complete waste of time. With an incredible performance by Garret Dillahunt (“Deadwood,” “The Assassination of Jesse James by the Coward Robert Ford”) and great supporting work by Monica Potter, Sara Paxton, Tony Goldwyn, and others, “Last House” is the best mainstream horror movie in a long time.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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