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Aaron Paul

‘Need for Speed’ Also Has Need for a Better Script

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – In interviews to promote the movie, Aaron Paul has said that he was chosen by Steven Spielberg himself to be the lead in this high-speed action thriller, while the executive producer was binge-watching “Breaking Bad”. Those are certainly some undeniable cool points that I can’t blame him for mentioning, regardless of how the movie is received. 

Mary Elizabeth Winstead is Emotionally Wrecked in ‘Smashed’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Young Drunks in Love” could be the subtitle of the new film “Smashed,’ or maybe “Recovery Can’t Recover All.” Regardless, Mary Elizabeth Winstead gives a career-defining performance as a young adult facing up to that adulthood, and leaving behind everything she has known for a life that’s healthier, but less familiar.

Effective Remake of ‘The Last House on the Left’ a Powerful Horror Film

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGODennis Illiadis’ remake of “The Last House on the Left” is the exception the proves the rule that most horror movie remakes are a complete waste of time. With an incredible performance by Garret Dillahunt (“Deadwood,” “The Assassination of Jesse James by the Coward Robert Ford”) and great supporting work by Monica Potter, Sara Paxton, Tony Goldwyn, and others, “Last House” is the best mainstream horror movie in a long time.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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