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HollywoodChicago.com ESP, En Español: ‘American Assassin,’ ‘Brad’s Status’ y ‘mother!’

CHICAGO – Cada semana, HollywoodChicago.com le traerá las criticas de las películas que hemos visto y que están saliendo esa semana, pero en español. HollywoodChicago.com ESP no sólo representa HollywoodChicago.com Espanol, sino también Esta Semana en Peliculas. Esta semana, vamos a una misión de venganza y terminamos salvando el mundo (“American Assassin”), luego nos vamos de viaje a visitar algunas universidades mientras tenemos un colapso mental (“Brad’s Status”), y luego nos transportan a una casa que significa mucho más de lo que parece (“mother!”).

Gunplay & Violence Fuel Heroics in ‘American Assassin’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – There was another mass shooting (eight dead) in Texas this week, but it was underreported because it didn’t involve “undesirables” and just seemed like another week in America. This blithe attitude towards guns, gunplay and violence continues in the movies, this week with the overindulgent release “American Assassin.”

M is for the Many Things ‘mother!’ Gave Me

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In a film that is unsettlingly and regally composed with deep purpose and symbolism, “mother!” fulfills the nature of what it proposes to communicate within layers of essentially rendered storytelling and cinematic perspective. It can potentially change your overall point of view.

You’ll Be Counting the Minutes Until You Too Can Be ‘Home Again’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Seeing so many films on a daily basis, you would think that I would grow tired of them. I don’t. Instead, I begin to notice the same formulas in films, like the one in “Home Again”. Unfortunately for “Home Again” you’ll spend most of the film wondering just how much longer before you can be the same.

HollywoodChicago.com ESP, En Español: ‘IT' y 'Home Again

CHICAGO – Cada semana, HollywoodChicago.com le traerá las criticas de las películas que hemos visto y que están saliendo esa semana, pero en español. HollywoodChicago.com ESP no sólo representa HollywoodChicago.com Espanol, sino también Esta Semana en Peliculas. Esta semana tenemos una película donde los niños actúan como adultos mientras enfrentan sus peores temores (IT), y luego tenemos una película donde los adultos y sus miedos los hacen actuar como niños (‘Home Again’).

Effective Scare Factor & Teenage Traumas Define ‘IT’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “IT” is the kind of film that relies on jump-scares and ghastly images a bit too much, but behind it all is a quirky story – based on a Stephen King novel – about that time in childhood where becoming a teenager and finding a way within the change is adventurous and unsettling.

American Legal System is Put on Trial in ‘Crown Heights’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There is no justice for the poor. That should be carved in stone on courthouses beside all the platitudes of American “equality” and “law.” In an eye-opening narrative film based on a true story, “Crown Heights” explores just how an impoverished individual can be found guilty and imprisoned unjustly for years.

Everything is Beautiful at the Ballet in ‘Leap!’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – One of the rites of passage for most girls in the U.S.(and elsewhere, I presume) is ballet lessons. Usually it lasts for a very short time, but some girls-to-women keep pursuing it, and may even become prima ballerinas. A new animated film named “Leap!” is dedicated to that spirit.

Aubrey Plaza Steers the Unsettling ‘Ingrid Goes West’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Aubrey Plaza (“Parks and Recreation”) is an actor who always seems to do something memorable in her performances. In “Ingrid Goes West,” she carries an entire movie on her quirky and sometimes disturbing character… that of a bipolar stalker who can’t find balance.

Magic & Creativity is Formula for ‘Dave Made a Maze’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – When the magnificently creative film “Dave Made a Maze” begins, it seems like another Millennial generation stab at micro budget filmmaking, with a claustrophobic set and extreme archetypes instead of characters. But then the “exploration” of the title maze starts, and suddenly “Dave” becomes a marvel of invention, tribute, hilarity and even truth.

Un-Buddy-Like Violence in ‘The Hitman’s Bodyguard’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – One day I would like to meet a professional assassin. Are they as quippy and biblical as Samuel L. Jackson? This tired movie occupation is trotted out again, this time pairing Jackson with Ryan Reynolds, in an overwrought and ultra-violent buddy comedy, “The Hitman’s Bodyguard.”

Individualism in ‘Menashe’ Challenges the Tribe

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – We all belong to something, be it a family, workplace, congregation or (expansively) a tribe. But within all that belonging is a sometimes nagging feeling of being an outsider. There is not a human being in existence that hasn’t felt that way, and a new film expresses that feeling in “Menashe.”

Story in ‘Wind River’ Gets Scattered in the Breeze

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Writer/Director Taylor Sheridan is a deep thinker regarding humanity in these United States. In the third film of his “American Frontier Trilogy” – after “Sicario” and “Hell or High Water” – he goes to the Wyoming Native American reservation, for a unwieldy story titled “Wind River.”

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  • Wonder Woman

    CHICAGO – There are few films in 2017 that are as historically important as they are cinematically well-crafted. Of those, there is only one I saw three times in theaters. That honor comes in the form of the revolutionary “Wonder Woman,” which not only shows huge promise for the future of DC Comics films but for comic book-based films as a whole.

  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

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