HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Life Reveals Itself Through Courses in ‘The Dinner’

Printer-friendly versionPrinter-friendly versionE-mail page to friendE-mail page to friendPDF versionPDF version
Average: 5 (1 vote)
HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – There is a peculiar and particular morality in the maneuverings of “The Dinner,” a multi-course meditation on how a tragic incident can split both opinion and family. Everything in the present situation has a below-the-surface past that festers like an unhealed wound, constantly causing pain.

The Dinner of the title is actually a meeting, about a secret that is being held together by the two couples and their children. Throughout the evening, the truth and sources of the secret breaks down, and is stripped away to an essence that is common to all families. The inhumanity contained in the situation is contrasted with the snooty restaurant, where the food is presented and narrated like it’s the last supper before the end of the world. But in a way, this hype is necessary to detach from the stark considerations the two couples face, and this pretentious dining absurdity creates a fake importance around the life-and-death heaviness that the past foundations of the family cannot support. In essence, the film gives everyone a chance to ponder it all, both the characters and the audience.

Paul (Steve Coogan) is dreading attending a dinner with his congressman brother Stan (Richard Gere), along with Paul’s wife Claire (Laura Linney) and Stan’s wife Katelyn (Rebecca Hall). There is an incident that is between the two families, having to do with an incident on a party night between their kids that ends in a tragic circumstance.

Din1
Two Couples Meet in ’The Dinner’
Photo credit: The Orchard

As the dinner commences, each course is another stage of finding out about the relationships of the brothers, the couples and their families. Paul is particularly having problems with the evening, with his wife Claire acting as negotiator between the siblings. Bit by bit, the truth of the circumstance is revealed, which has repercussions for their careers and lives, which are unraveling during a meal costing over a thousand dollars.

Congressman Stan, played with coiled virtue by Richard Gere, is the founder of the feast, but is constantly being interrupted as his signature law is being voted on in the legislature. The origin of this law is contemporary, and personal to the character, as is revealed during the dinner. This is extraordinary because it truly felt like a last act, the clawing of an ambitious man to the top of the mountain, using his influence on something that had been affecting him since childhood. Also extraordinary is that those affectations are also rooted in the incident being discussed at the meal, from which there seems to be no escape.

The performances are at the highest level, with British comic actor Steve Coogan given the biggest challenge of all the characters, and delivering an acid performance that never wavers – despite having problems with his American accent. Laura Linney takes on the Lady MacBeth role with icy calmness, and acts as someone who possessed a solution all along. Rebecca Hall continues her chameleon-like ability to inhabit characters, creating a look and feel for Katelyn that is revealing just through her body language.

Din1
Paul (Steve Coogan) and Claire (Laura Linney) Contemplate the Talk at ’The Dinner’
Photo credit: The Orchard

Director and story adapter Owen Moverman, whose resume includes “I’m Not There” and “Love & Mercy” (as writer), in addition to having directed Richard Gere in “Time Out of Mind” (2014), also generates nuance through unique sound and cinema design in “The Dinner.” These tweaks added caustic emphasis on Paul’s free-wheeling narration in the film, which begins to break down as his past is revealed in flashbacks, including a defining visit to the Gettysburg Civil War battlefield memorial.

This is a fundamental and archly felt story, as Paul constantly reminds us of our animal tendencies. Congressman Stan’s civilizing morality may be too late, for despite his present redemption, there is still the flotsam of the family past to negotiate. “The Dinner” had a lot of topics to cover over one meal, but each course is digested with a familiar aftertaste.

”The Dinner” had a nationwide release, including Chicago, on May 5th. See local listings for theaters and showtimes. Featuring Richard Gere, Steve Coogan, Laura Linney, Rebecca Hall, Chloë Sevigny and Charlie Plummer. Screenplay adapted and directed by Owen Moverman. Rated “R”

HollywoodChicago.com senior staff writer Patrick McDonald

By PATRICK McDONALD
Writer, Editorial Coordinator
HollywoodChicago.com
pat@hollywoodchicago.com

© 2017 Patrick McDonald, HollywoodChicago.com

Post new comment

The content of this field is kept private and will not be shown publicly.
CAPTCHA
This question is for testing whether you are a human visitor and to prevent spam submissions.
Image CAPTCHA
Enter the characters shown in the image.

Hot stories on the Web

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

  • They're Playing Our Song

    CHICAGO – During the late disco era of the 1970s, an unusual musical opened on Broadway. Essentially a two person stage play, “They’re Playing Our Song” involved a songwriter and a lyricist who develop a stronger connection than just writing partners. The always passionate Brown Paper Box Co. of Chicago has unearthed this chestnut with a bright and fun revival at the Rivendell Theatre through August 20th, 2017.

Advertisement



HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
referendum
tracker