HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Ryan Gosling Cannot Save Disjointed ‘All Good Things’

Printer-friendly versionPrinter-friendly versionE-mail page to friendE-mail page to friendPDF versionPDF version
Average: 3.5 (2 votes)
HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Having loved Andrew Jarecki’s “Capturing the Friedmans” and having recently named Ryan Gosling the best actor of his generation for his year-best work in “Blue Valentine,” I was psyched to fall for their collaboration on the true-crime thriller “All Good Things.” Sadly, my anticipation quickly turned to disappointment as this muddled work lurched toward a bizarre conclusion. Gosling and co-stars Kirsten Dunst and Frank Langella don’t do anything wrong here but the movie is such a mash-up of tones, fiction, and reality that it never comes together into anything coherent.

Ryan Gosling always finds the most interesting ways to believably present his characters but even he seems a bit lost by what’s expected of him in “All Good Things.” The Oscar nominee plays David Marks, a very-loose approximation of the real Robert Durst, who made headlines when he was accused of mutilating his neighbor. In Jarecki’s film, Durst/Marks is the son of Sanford Marks (Frank Langella), a legendary New York figure who the film suggests is trying to push his son into a life he doesn’t want for himself, especially after meeting the wonderful Katie (Kirsten Dunst).

All Good Things
All Good Things
Photo credit: Magnolia

Katie represents to David a way out of his smothering family life. He may be rich, but he’s miserable. The two fall in love, get married, and even open a store called, of course, All Good Things. They seem so happy.

Of course, there’s no movie if Katie successfully pulls David from entering the family life of crime and when the young man gives into his father’s urges and begins collecting from the seedy businesses that used to populate Times Square, tragedy seems inevitable. Just as the marriage of Katie and David is about to head toward inevitable divorce, she disappears and is never seen again. But that’s really just the beginning of David/Robert’s odd story.

Murder mystery, young romance, family drama – “All Good Things” is way too many things at one time and yet not much at all. Jarecki brilliantly weaved a number of elements together in “Capturing the Friedmans” but it feels like having to fictionalize major elements of the story of Robert Durst helped this project get away from him. When you have to rename a character from Morris Black to Malvern Bump (Philip Baker Hall) just to meet legal requirements, perhaps it’s not a story you should be telling.

All Good Things
All Good Things
Photo credit: Magnolia

Jarecki uncomfortably straddles that line between true crime story and total fictionalization, getting lost in the gap in between and jamming as many elements as possible into this film causes very few of them to register. Just as we’re starting to feel the love between David and Katie, their marriage begins to turn disastrous. Just as the family saga is turning Shakespearian, that plot is discarded for David’s odd post-Katie saga. The movie never finds an engaging rhythm.

Perhaps Jarecki could have completely discarded the facts of the Durst story and made a stronger film about family drama and possible insanity but the fact is that his subject matter ended his true story in such an unusual way that it doesn’t necessarily support a dramatic retelling. The final act of “All Good Things” is a near-disaster because the film never builds to it. Jarecki and his screenwriters start with romance, move to a family crime saga, and end with something out of “Dressed to Kill.” Rarely have you seen a major movie with more of an identity crisis. I suppose Durst/Marks had a bit of one himself and so it’s oddly appropriate but nonetheless a misfire.

“All Good Things” stars Ryan Gosling, Kirsten Dunst, Frank Langella, and Philip Baker Hall. It was written by Marcus Hinchey & Marc Smerling and directed by Andrew Jarecki. It is rated R and will be released in Chicago on December 25th, 2010.

HollywoodChicago.com content director Brian Tallerico

By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com

Post new comment

The content of this field is kept private and will not be shown publicly.
CAPTCHA
This question is for testing whether you are a human visitor and to prevent spam submissions.
Image CAPTCHA
Enter the characters shown in the image.

Hot stories on the Web


User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Star Trek Into Darkness

    CHICAGO – With J.J. Abrams not involved with the creation of a third “Star Trek” movie, a compendium of his work within the franchise only seems fitting. Loaded with special features but only a few new ones, this disc set is a strong choice for those who don’t already have both entertaining blockbusters in their collection.

  • References to Salvador Dali Make Me Hot

    CHICAGO – In “References to Salvador Dali Makes Me Hot,” now at the Den Theatre in Chicago through September 7th, the intersect of author José Rivera and the strong cast of actors make for a formidable partnership. Committed and passionate interpreters take both the soft and edgy parts of the narrative to task.

Advertisement


HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
tracker