Film Review: Arnold Schwarzenegger’s Dour Zombie Drama ‘Maggie’

CHICAGO – A common quagmire during a zombie outbreak, as expressed in the 367 films about the topic made about such an event since 2000, concerns what to do when your loved one is infected. For many movies, it makes for the tearful, climactic moment; for the dour drama “Maggie,” it’s the total narrative examination that just about fills half a movie, featuring Arnold Schwarzenegger as a rugged, lumberjack dad who is disturbed by the ailing conditions of his infected daughter (played by Abigail Breslin).

Rating: 3.0/5.0

Directed by newcomer Henry Hobson from a screenplay written by an AOL user name (John Scott 3), “Maggie” is a maudlin vamp on a farmer father living with his daughter’s condition, a “sick kid” narrative with a hazardous ticking biological time bomb. After rescuing her from government quarantine, Schwarzenegger’s Wade watches over Maggie, getting her medical attention and keeping bossy policemen at bay. Meanwhile, her condition worsens while she accepts her mortality, bonding with her hosting aunt Caroline (Joely Richardson) and a young man of similar conditions (Bryce Romero).

Removed by almost a decade from her breakout part in “Little Miss Sunshine,” Breslin remains still in search of a brilliant adult role. Still, “Maggie” bulks up her resume by showing her as apt within physical horror and coming-of-age drama, providing the type of presence that makes a character more memorable than the script originally aimed for.

Providing this story with both the muscle and the softness that it needs, Schwarzenegger continues on a route that’s more unexpected than the world of many of his “Expendables” compadres. He’s playing the hundredth patriarch who has lost a wife that he idolizes, and must support his daughter, but in the environment of Hobson’s film, this one is different, I promise. Wade has the classic Schwarzenegger touch - an all-American man with an Austrian accent that no one questions - and his charisma similarly continues to be a non-issue. Though he loses the classic Ahh-nuld stoicism, he remains an intriguing, transparent presence.

In the film’s half-successful tonal gamble, the energy within this very atmospheric story is strictly the underlying anxiety about what do with Maggie. It’s less a focus on the debate than observing her deterioration, which is aptly presented through performance and make-up, creating a moral dread even for a title character who doesn’t read as fully constructed.

Continue reading for Nick Allen’s full review of “Maggie” [12]

‘Maggie’
Photo credit: Roadside Attractions

Continue reading for Nick Allen’s full review of “Maggie” [12]