Zoe Kazan

CHICAGO – Kelly Reichardt’s “Meek’s Cutoff” is certainly not a film for everyone. It features long, drawn-out scenes that are not only free of dialogue but basically just feature sorrowful people walking to the rhythm of the wagon wheel and the tune of the blowing wind. For the right viewers, these passages will frustrate but if you give yourself over to this remarkable film, they will build tension inside of you in a unique, discomfiting way.

Rating: 5.0/5.0

CHICAGO – Very few films have ever conveyed an impending sense of doom as successfully as Kelly Reichardt’s stunningly accomplished “Meek’s Cutoff,” a journey into the past that has resonance for any era. Which way do you go when you’ve lost the map? Who do you trust when you can’t see beyond the horizon? How does man simply keep moving forward when it’s so unclear where we’re going?

CHICAGO – More, please! Along with our recent Hookup for advance-screening movie passes to the new comedy/drama “Happythankyoumoreplease,” in this follow-up edition of HollywoodChicago.com Hookup: Film one lucky winner will score a mega prize pack!

Rating: 2.0/5.0

CHICAGO – Josh Radnor’s “Happythankyoumoreplease” wants to be a new-generation Woody Allen film but misses the mark wildly by presenting characters that aren’t likable in situations that aren’t believable. None of the relationships that drive this awkward dramedy ring true and only a few supporting performances make the effort worthwhile as they highlight the weaknesses at the core of the manipulative script.

CHICAGO – In our latest comedy/drama edition of HollywoodChicago.com Hookup: Film, we have 25 admit-two passes up for grabs to the advance Chicago screening of the new film “Happythankyoumoreplease”!

CHICAGO – At a time when many so-called independent film distributors are following the mold of mainstream companies, Oscilloscope Pictures is a breath of exhilaratingly fresh air. Its films range from electrifying shoestring documentaries like “Dear Zachary” and priceless foreign imports like “Kisses” to major award season contenders such as “The Messenger” and “Wendy and Lucy.”

CHICAGO – Frank (Leonardo DiCaprio) and April Wheeler (Kate Winslet) refuse to believe that they’re like everyone else in the 1950’s suburbia of Sam Mendes’ frustrating “Revolutionary Road”. They may go to the same jobs and travel in the same social circles, but, unlike the bored housewives and husbands around them, they haven’t given up on their dreams.