CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
CHICAGO – Two comedies that were on the bubble of cancellation just a few months ago are being thrown into the deep end on Tuesday nights by ABC, starting tonight.
CHICAGO – With so many laughless sitcoms premiering this season on ABC, it’s tempting to overpraise a show that actually manages to be funny. “Happy Endings” has already received a good deal of praise from Hollywood Chicago for its top-notch ensemble and vibrantly witty banter, though it’s not quite in the same league as the shows it wishes to emulate, particularly “Friends” and “Arrested Development.”
CHICAGO – ABC’s new sitcom “Happy Endings” is undeniably yet another “Friends” rip-off, an attempt to make a pal-com about relationships, misunderstandings, and good buddies. I’ve seen enough of these things that I automatically get a bit defensive when they appear on my desk. If you sat through junk like “Traffic Light” and “Perfect Couples,” you would too.
CHICAGO – Watching commercial-free episodes back-to-back on DVD illuminates a show’s strengths and weaknesses (while also making drinking games easier to spot from a show’s repetitive moments). “Lost” and “24” were helped amply by their season sets, as their breakneck pace worked even better without a need to push fast forward on a DVR remote.
CHICAGO – Do you think that if the creators of “Lost” were allowed a glimpse at their futures when their hit show began that they would have seen a montage of all the series that it would inspire?