CHICAGO – Writer/director Ramin Bahrani is interested not in agendas, special effects, or broad statements. He makes films about characters, including the widely acclaimed “Chop Shop,” “Man Push Cart,” and “Goodbye Solo.”
CHICAGO – Writer/director Ramin Bahrani delivers his most mainstream film this weekend with the Chicago release of “At Any Price,” an old-fashioned melodrama starring Dennis Quaid as a grain farmer caught in some awful situations in order to protect his family.
CHICAGO – Some have embraced Lee Daniels’ super-weird “The Paperboy,” recently released on Blu-ray and DVD, as pure pulp entertainment, the kind of sexy, sweaty, ridiculous B-movie that they don’t make enough of any more. Others have called it absolute trash with The Onion A.V. Club going as far as to name it the worst movie of the year. I’m much closer to The Onion in this case. As hard as I tried to get on the wavelength of this film’s growing cult movie reputation, I couldn’t shake the fact that it’s just a piece of junk.
CHICAGO – With all the steamy heat, and the thick, gluey southern accents from mostly non-southern actors, the audience for “The Paperboy” might need to wear lawyer-like suspenders and flap a funeral home fan to take it all in. The sweaty new film features Nicole Kidman, Matthew McConaughey and John Cusack, all chewing the scenery.
CHICAGO – Josh Radnor may be one of the most good natured humanists in modern American film. His perspective contrasts sharply with that of comedic auteurs intent on depicting a cynical view of the modern world clouded with nostalgia. Radnor may not yet be up to par with the filmmakers that have inspired him, namely Woody Allen, but his sophomore directorial effort, “Liberal Arts,” is practically bursting with promise.
CHICAGO – The Blu-ray of Scott Hicks’ horrendous “The Lucky One” includes special features called “Zac Efron Becomes a Marine,” “Watch the Sparks Fly - The Romantic World of The Lucky One,” and “Zac and Taylor’s Amazing Chemistry.” This is false advertising. Because it implies that Mr. Efron believably becomes a Marine, the film is even slightly romantic, or that its two stars have an ounce of chemistry. This is the bottom of the Nicholas Sparks barrel, an inert romantic drama that fails on every level.
CHICAGO – After it made a relative fortune at the box office (its number six on the year in terms of domestic gross and has made more than $300 million worldwide), I was eager to revisit “Dr. Seuss’ The Lorax” on Blu-ray to se if I missed anything in my initial 2.5-star review. Maybe I was just in a bad mood that day. Nope. The movie just doesn’t hold up on a storytelling level and it’s even more deeply flawed on repeat viewing. It’s only entertaining to littlest ones in your family and even they would be better served by a reading of the great source material. A trio of mini-movies on the Blu-ray help make the package more enticing but can’t dismiss the film’s flaws.
CHICAGO – I’m of two minds about the work of Nicholas Sparks. On one hand, I admire his sensitive portrayals of good-hearted people, particularly young lovers, which serve as comfort food for teenagers overwhelmed by peer pressure.
CHICAGO – The belief that most people are decent at heart may seem overly naive in a society that often favors cynicism over sincerity. Yet it is precisely this hopeful worldview that has made Nicholas Sparks one of the most successful authors of his time. His international bestsellers have captivated readers worldwide, and have inspired seven big screen adaptations.
CHICAGO – “Dr. Seuss’ The Lorax” certainly isn’t an awful film by any stretch of the imagination. It features some solid voice work, a few lessons worth learning by the iGeneration, and some nifty visuals. It’s also pretty damn boring. Even the little ones at the family screening I attended seemed to lose interest in how this timeless story has been stretched to the demands of a modern family film. It just never quite connects in the way fans of this legendary character hope it would.