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Without a Trace

Exclusive Portrait: ‘Extra’ Co-Host Maria Menounos For New Book ‘The EveryGirl’s Guide to Life’

Maria Menounos, photo by Joe Arce.

CHICAGO – Celebrities rarely are as multi-faceted as Maria Menounos. The Greek American ex-beauty queen is the current co-host – with Mario Lopez – of “Extra,” the popular entertainment news program. This is after correspondent duties on “Access Hollywood,” appearing on the “Today” show and acting in TV’s “Without a Trace” and “One Tree Hill.”

TV Review: CBS’s ‘Unforgettable’ Doesn’t Live Up to Title

Unforgettable

CHICAGO – Despite the best efforts of TV veterans Poppy Montgomery (“Without a Trace”) and Dylan Walsh (“Nip/Tuck”), “Unforgettable” is another dull CBS procedural, a show with some decent characters and a relatively-intriguing premise that is undone by weak writing and a silly presentation. CBS is such a juggernaut that anything can become a hit but it’s hard to believe this one will love up to its title for most viewers.

CBS Renews ‘Cold Case,’ Picks Up ‘Medium,’ Cancels ‘Without a Trace’

Medium

CHICAGO – In a relatively shocking announcement as a part of fall schedule upfronts this week, CBS actually pulled the trigger on “Without a Trace,” a show that had reportedly gotten too expensive for the network. There were rumors that they may do the same with “Cold Case,” but that show will return with on-the-bubble shows “The New Adventures of Old Christine” and “Rules of Engagement” also being miraculously renewed and “Medium” being saved.

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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