Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Let’s get this out of the way first – Abbie Cornish is simply great in David Riker’s “The Girl,” opening this weekend in Chicago at the AMC River East 21. She’s genuine, believable, and emotional resonant in ways that make this critic truly wish she would get more great roles (go rent “Bright Star” for further proof of her immense talents). Having said that, “The Girl” only barely works. Too much of the dialogue feels forced and the situations purposefully manipulative for it to fall on the right side of the soap opera-drama spectrum. There’s a heartfelt tenderness for this troubled character on Riker & Cornish’s part but it comes at the expense of realism or any serious answers to the questions raised by the film.
CHICAGO – Rarely has a program returned for its second season with as much confidence, improved storytelling skills, and overall entertainment value as TNT’s “Falling Skies,” returning tonight, June 17, 2012.
CHICAGO – Kelly Reichardt’s “Meek’s Cutoff” is certainly not a film for everyone. It features long, drawn-out scenes that are not only free of dialogue but basically just feature sorrowful people walking to the rhythm of the wagon wheel and the tune of the blowing wind. For the right viewers, these passages will frustrate but if you give yourself over to this remarkable film, they will build tension inside of you in a unique, discomfiting way.
CHICAGO – It’s the end of the world as we know it, and the ragtag resistance fighters of “Falling Skies,” starring Noah Wyle from “ER,” are defending themselves against a surprise extraterrestrial colonization of earth. Live free or die hard.
CHICAGO – Very few films have ever conveyed an impending sense of doom as successfully as Kelly Reichardt’s stunningly accomplished “Meek’s Cutoff,” a journey into the past that has resonance for any era. Which way do you go when you’ve lost the map? Who do you trust when you can’t see beyond the horizon? How does man simply keep moving forward when it’s so unclear where we’re going?
HollywoodChicago.com Hookup: 25 Passes, Signed Poster For ‘Brooklyn’s Finest’ With Don Cheadle, Richard GereSubmitted by HollywoodChicago.com on March 21, 2010 - 4:47pm
CHICAGO – In our latest crime/drama edition of HollywoodChicago.com Hookup: Film, we have 25 admit-two run-of-engagement movie passes and one signed poster for one grand-prize winner for the new film “Brooklyn’s Finest” from the director of “Training Day”!
CHICAGO – Here’s the most desperate film in many a moon. It tries harder than any recent horror picture to prove that its artificial horrors are real. What it lacks is the subtlety and suspense necessary to actually scare viewers. “Blair Witch Project” did it with ominous sounds in the dark. “Paranormal Activity” did it with time code. Both films proved that in the case of psychological horror, less is always more.