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Video Game Review: Truly Awful ‘Rogue Warrior’ Fails on Every Level

Rogue Warrior

CHICAGO – We’ve become spoiled by the next generation of gaming. Most high-profile games have gone through enough research and development during their production and are made by such experienced developers that they rarely come out of the industry machine with little to no redeeming value at all. Sure, there are disappointments, but you don’t see as many complete bombs in the gaming world as you do in film, music, or TV. The exception to the rule is the truly awful “Rogue Warrior”.

Interviews: Winners at the 2009 Chicago International Film Festival

CHICAGO – “Mississippi Damned,” the feature film winner of the Gold Hugo, the top prize at the Chicago International Film Festival, was a labor of passion for producer Morgan R. Stiff and director/writer Tina Mabry.

Video Game Review: Ultra-Violent ‘Wet’ Provides Jolt That Wears Off With Repetition


CHICAGO – Bethesda Softworks’ “Wet” is a sloppy wet kiss to the cinema of the grindhouse as filtered through Quentin Tarantino’s love affair with it. The game plays not so much as an ode to B-movie thrills but to the way that QT interprets them. Clearly (and admittedly) inspired by “Kill Bill,” “Wet” is an often-fun but also often-frustrating shooter with style to spare but not as much substance as one would hope.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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