CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.
CHICAGO – I’m not sure there’s ever been a heist film in which the heist is discussed, debated, and argued about more than “Wasteland,” opening in Chicago this Friday, August 2, 2013. We know from the beginning, with its “Usual Suspects” narrative trick of an arrested man telling a cop how he got there, that things went wrong. And then we get to hear about the plan for things to go wrong over and over and over again. Writer/director Rowan Athale thinks he has made a crime caper a la “Lock, Stock, and Two Smoking Barrels” but the constant spinning of wheels drains the piece of its energy until a final act gets so convoluted that the whole thing falls apart.