Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.
CHICAGO – I’m not sure there’s ever been a heist film in which the heist is discussed, debated, and argued about more than “Wasteland,” opening in Chicago this Friday, August 2, 2013. We know from the beginning, with its “Usual Suspects” narrative trick of an arrested man telling a cop how he got there, that things went wrong. And then we get to hear about the plan for things to go wrong over and over and over again. Writer/director Rowan Athale thinks he has made a crime caper a la “Lock, Stock, and Two Smoking Barrels” but the constant spinning of wheels drains the piece of its energy until a final act gets so convoluted that the whole thing falls apart.