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Walt Disney Pictures

Film Review: ‘Cars 3’ Puts Series Franchise Back on Right Track

CHICAGO – The Cars movies continue to be the kiddieland of Pixar Animation franchises. Kids adore them, parents tolerate them. Unlike the best of Pixar’s output, the Cars films are lovingly crafted cartoons aimed squarely at kids with far more attention detail than the average fare you’d find scrolling through Netflix. The best that can be said is that “Cars 3” represents a considerable step up from “Cars 2”.

Film Review: Cut of Nostalgia in ‘Guardians of the Galaxy Vol. 2’

CHICAGO – When I first saw “Guardians of the Galaxy” I was unfamiliar with the comic book source. I enjoyed the film, but worried it might be just a little too nerdy and obscure to develop a following. Now with “Guardians of the Galaxy Vol. 2,” the series has solidified itself as the class clowns of the Marvel Studios cinematic universe, and it’s been embraced for it.

Film Review: ‘Rogue One: A Star Wars Story’ is a Worthy Addition

CHICAGO – I guess from now on, it will never be the holidays without a Star Wars movie, and why not? Every year, we’ll have a celebration with the ardent fans and characters that are one in that universe, “a long time ago, in a galaxy far far away.” For 2016, “Rogue One: A Star Wars Story.”

Film Review: ‘Moana’ is Walt Disney Pictures at its Breezy Best

CHICAGO – “Moana” is a solid example of the time honored Disney musical. It is exactly the sort of sun drenched warm weather beacon we residents of cold weather climes can enjoy as the holiday season approaches, and it a refreshing change from another spin of Mele Kalikimaka.

Film Review: Marvel Studios Reaches New Heights in Satisfying ‘Captain America: Civil War’

CHICAGO – “Captain America: Civil War” is more of an “Avengers” movie than it is a Captain America movie. But that’s okay because this is easily the best Avengers movie Marvel Studios has ever made, and it also might be the best movie the studio has ever made.

Film Review: ‘Zootopia’ is an Odd But Endearing Disney Animated Film

CHICAGO – Walt Disney Studio’s latest animated extravaganza is best viewed as a child’s introduction to the buddy cop movie, since you can’t exactly start a toddler on “Midnight Run” or “Lethal Weapon 2.” But in this case it’s a bunny cop movie.

Film Review: ‘The Good Dinosaur’ is Pixar Studio’s Most Ordinary Film

Good Dinosaur, The

CHICAGO – The animation in Pixar Studio’s latest feature ,“The Good Dinosaur,” is nothing short of extraordinary. At times throughout the film, the images looked like they came right out of National Geographic, and I truly couldn’t believe i was watching animation. However, this delightful animation is in service to an undistinguished prehistoric buddy comedy that wouldn’t be out of place in an episode of “The Flintstones.”

Film Review: ‘Cinderella’ Finds New Magic in Old Fairy Tale

CHICAGO – In the years since “Shrek,” the fractured fairy tale has become Hollywood’s default approach. We’ve been treated to so many irreverent and increasingly labored treatments of storybook characters, that Disney’s new live-action “Cinderella” comes off as relatively fresh by comparison.

Film Review: Bigger Not Better ‘Alexander and the Terrible, Horrible, No Good, Very Bad Day’

CHICAGO – This is what happens when a beloved book gets sucked into the big Hollywood studio machine and gets all the endearing qualities – plus its heart and soul – sucked right out of it. “Alexander and the Terrible, Horrible, No Good, Very Bad Day” is a terrible, horrible, no good, very bad movie.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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