CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
CHICAGO – This weekend is one of the most exciting for Chicago area pop culture and comic fans. The 2013 Wizard World Chicago Comic Con opens Thursday, August 8th, and runs through Sunday, August 11th, at the Donald E. Stephens Convention Center in Rosemont, Illinois.
CHICAGO – The small but mighty Verne Troyer is a lucky and humble star. He grew in Michigan, and maintains his Midwestern roots in his approach to show business. Troyer makes an appearance at the Hollywood Palms (Naperville, Ill.) and the Hollywood Blvd. Cinema (Woodridge) to introduce “Austin Powers: The Spy Who Shagged Me” and “Goldmember.”
CHICAGO – Oscar-nominated for Best Art Direction and Best Costume Design, Terry Gilliam’s “The Imaginarium of Doctor Parnassus” is a great fit for Blu-ray as the luster of 1080p enhances the best thing about the movie. Highly touted as “Heath Ledger’s final film,” history is likely to remember the film as more of a return to form for the director of classics like “Brazil” and “The Fisher King”.
CHICAGO – Bogart, James Dean and Heath Ledger are not dead, they’re just stuck in the Netflix queue. And Ledger, with a little help from some friends, gets one more theatrical release in “The Imaginarium of Doctor Parnassus.”
CHICAGO – “The Imaginarium of Doctor Parnassas,” the long anticipated final film of Heath Ledger, directed by Terry Gilliam, was previewed last night at the Chicago International Film Festival at their “surprise’ screening.
CHICAGO – Commendably co-written by Mike Myers (who also wrote characters for 2002’s “Austin Powers in Goldmember” and 1999’s “Austin Powers: The Spy Who Shagged Me”), you know lines like “sheket bevakasha” came directly from his bowels.
CHICAGO – In response to our negative review of the divisive new film “Postal” from controversial director Uwe Boll, Boll e-mailed us with these simple words: