Jason Statham has become an amorphous blob in the action genre, but an amorphous blob who is his own archetype, nonetheless. With the “Expendables” movies he began to take the genre torch from Sylvester Stallone, and now working from a script by Stallone in “Homefront”, his Americanization is nearly certified. That being said, watching Jason Statham tattoo a bald eagle on himself might be more enjoyable than his latest addition to a bloated filmography, “Homefront”. That, or staging a debate with Stallone and Statham about gun control.
CHICAGO – USA and TNT have owned Summer television for the last several years with hits like “White Collar,” “Burn Notice,” “Royal Pains,” and “The Closer”.
CHICAGO – Remember when every Oliver Stone movie caused waves? There was a time when he was a love-him-or-hate-him director who provoked conversation with every outing. Perhaps the most interesting thing about his recent work like “World Trade Center” and “Wall Street: Money Never Sleeps,” recently released on Blu-ray and DVD, is how little impact it has had. He seems to be making movies most people like but no one loves or hates. The sequel to one of his best films is a good drama but doesn’t really resonate like the man used to do every time out.
CHICAGO – After a string of disappointments that include “Alexander,” “World Trade Center” and “W,” one of the best directors of the 1980s and 1990s at least draws closer to form with the entertaining “Wall Street: Money Never Sleeps”.
CHICAGO – Many editions of the DVD Round-Up have featured a different genre and focus for each title within it. This week seems a little more thematically linked as we have a trio of foreign horror films and a few more independent films than usual. Of course, there has to a holiday comedy to spice things up.