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Vanessa Ferlito

TV Review: USA Opens ‘Graceland,’ Begins Closure of ‘Burn Notice’

CHICAGOUSA and TNT have owned Summer television for the last several years with hits like “White Collar,” “Burn Notice,” “Royal Pains,” and “The Closer”.

Blu-Ray Review: Oliver Stone’s ‘Wall Street: Money Never Sleeps’

Wall Street: Money Never Sleeps

CHICAGO – Remember when every Oliver Stone movie caused waves? There was a time when he was a love-him-or-hate-him director who provoked conversation with every outing. Perhaps the most interesting thing about his recent work like “World Trade Center” and “Wall Street: Money Never Sleeps,” recently released on Blu-ray and DVD, is how little impact it has had. He seems to be making movies most people like but no one loves or hates. The sequel to one of his best films is a good drama but doesn’t really resonate like the man used to do every time out.

Film Review: Shia LaBeouf, Michael Douglas Drive Energetic ‘Wall Street: Money Never Sleeps’

CHICAGO – After a string of disappointments that include “Alexander,” “World Trade Center” and “W,” one of the best directors of the 1980s and 1990s at least draws closer to form with the entertaining “Wall Street: Money Never Sleeps”.

DVD Round Up, Oct. 30, 2009: ‘Sauna,’ ‘The Tournament,’ ‘The Butcher’

The Tournament

CHICAGO – Many editions of the DVD Round-Up have featured a different genre and focus for each title within it. This week seems a little more thematically linked as we have a trio of foreign horror films and a few more independent films than usual. Of course, there has to a holiday comedy to spice things up.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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