CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – A simple man tackles an unspeakably evil one. Such is the premise of so many movies of all genres that it would be impossible to count them all. Perhaps in no genre is this structure more popular than the Western, a category in which we love to watch average family men beat the fastest gun in the West. This explains the lasting popularity of Delmer Daves’s “3:10 to Yuma,” a flick I still find relatively slight but appreciate more completely now that I can see it in a gorgeously transferred, 4K-restored version from The Criterion Collection.