Tyler Ross

CHICAGO – There is a familiar Stephen Sondheim song called “Send in the Clowns,” which speaks of the absurdity of relationships, and their ups and downs. Writer/director Azazel Jacobs has kind of made a movie version of that song’s meaning, with the trials of a married couple, cheating on each other, in “The Lovers.”

CHICAGO – There always seems to be a moment or event in our lives where everything happens. Writer/director Stephen Cone places that context into a celebration, that reveals necessary truths to its participants. It’s going to be a enlightening time at “Henry Gamble’s Birthday Party.”

CHICAGO – There was no film in 2012 that moved me more deeply or left me feeling more exhilarated than Stephen Cone’s achingly personal masterpiece, “The Wise Kids.” It’s the sort of film that I’ve been hoping to see get made for quite some time. Whereas so many films about people of faith rely on condescending stereotypes to push a contrived agenda, Cone’s picture is humanistic in every sense of the word.

CHICAGO – Nothing forms the basis of a friendship quite like a shared understanding. When the hearts and minds of two people are compatible. everything else falls into place. It doesn’t matter if one happens to be a 52-year-old woman and the other is a 19-year-old man. That’s one of the simple truths that “Nate & Margaret” illuminates without drawing too much attention to it.

CHICAGO – One of Nathan Adloff’s goals as a filmmaker is mastering the art of the awkward silence. That moment when audiences shift uneasily in their chairs, balancing on the razor’s edge between amusement and agony, appeals greatly to Adloff, a self-professed fan of Christopher Guest and Todd Solondz.