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Topher Grace

Film Review: ‘Interstellar’ is Supposed to Mean Something, But What?

Interstellar 2

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

Film Review: Miscast Crew Spoils Christopher Nolan’s ‘Interstellar’ 

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

Film Review: Turn Down the Invitation to ‘The Big Wedding’

CHICAGO – “The Big Wedding” begins with Robert De Niro performing a particular love making maneuver on Susan Sarandon, and is caught in the act by Diane Keaton. What could have happened in a cutting-edge indie feature in 1981 is the basis of a lame bit in 2013, and so it goes for the rest of the film.

Film Review: Jenna Fischer Stars in Sweet ‘The Giant Mechanical Man’

CHICAGO – Don’t let the awful title fool you — “The Giant Mechanical Man” is not sci-fi. This cute dramedy tackles well-trod ground in the world of indie film but Lee Kirk conveys enough honest affection for his well-crafted characters that the piece works.

Blu-ray Review: Preposterously Bad ‘The Double’ Embarrasses Cast, Insults Audience

The Double Blu-ray

CHICAGO – Avid moviegoers like to pride themselves on their ability to predict twists and turns prior to their occurrence in a script. This is often the result of formulaic writing and creaky clichés, but in the case of Michael Brandt’s “The Double,” no exemplary knowledge of cinema is necessary to foretell every last plot point. Only functional eyesight and an IQ above zero are required.

Blu-ray Review: Criterion Release of Steven Soderbergh’s Incredible ‘Traffic’

Traffic

CHICAGO – As his excellent “Haywire” plays in theaters and his even-better “Contagion” was recently released on Blu-ray and DVD, one is reminded of the incredible talent of Steven Soderbergh, one of the best living directors. But “Contagion” and “Haywire,” while enjoyable, don’t hold a candle to this incredible filmmaker’s best films, which include “Sex, Lies, and Videotape,” “Out of Sight,” “Che,” and, recently released on Criterion Blu-ray and DVD, the Oscar-winning “Traffic.” This is one of Criterion’s best releases for one of the ‘00’s best films.

Film Review: ‘The Double’ Copies Lazy Performances, Silly Twists

The Double
HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – It’s ironic that a film called “The Double,” starring Richard Gere & Topher Grace, would remind one of so many superior thrillers. It is in itself a double, a carbon copy of better films that focuses on all of the wrong elements, thinking that audiences are still dumb enough that just throwing twist after twist at them will keep their head spinning enough to not realize that what they just saw not only makes no sense at all but wasn’t even remotely entertaining.

Blu-Ray Review: ‘Take Me Home Tonight’ Features String of Bad Decisions

Take Me Home Tonight, Topher Grace and Matt Folger

CHICAGO – Most comedies feature a few key decisions or even just a few moments where you, the viewer, know someone made the wrong choice. Whether it’s something as small as thinking that a punchline works when it doesn’t or something major like the wrong casting decision, modern movie goers are smart enough to tell when they’re watching something dumb. “Take Me Home Tonight,” recently released on Blu-ray and DVD is very, VERY dumb.

Film Review: Topher Grace Goes to 1980s in ‘Take Me Home Tonight’

CHICAGO – Nostalgia films need a couple of elements to make them work. First, instant recognition with the era, and second, a reason to go there. “Take Me Home Tonight” lacks both characteristics, and lead actor Topher Grace can’t seem to light a fire under the rest of it.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Happy Christmas

    CHICAGO – “Drinking Buddies” director Joe Swanberg’s latest release of the same star wattage is “Happy Christmas,” an even lower-fi story than the Olivia Wilde beer comedy, steered even more by the casting that it was able to assemble. However, with this movie Swanberg doesn’t so much worry about having a story that could be confused with a more mainstream romantic comedy if it were to have a bigger budget.

  • reno 911 front.png

    CHICAGO – The oughts was the era of the workplace mock-doc comedy, with shows like “The Office” and “Reno 911!” born into a time where TV viewers were excited to see see fake realities about the crumminess of a job. While this series has been available in separate season collections previously, “Reno 911!” is now available in a complete series set, one that boasts a grand amount of special features content in spite of some lacking comedy in the actual show.

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