CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – You can’t keep a good conspiracy down. Tom Hanks returns to a role we thought had joined the pages of history his character was so eager to uncover. Like the previous films in the franchise, “Inferno” promises to deliver a new problem to solve even though they never attempt to fix any of the cinematic and narrative flaws from its past.
CHICAGO – “Sully” is a solid effort from Director Clint Eastwood, but it never really soars the way its supposed to. It’s a good story, helped immeasurably by Tom Hanks low key performance, but it feels unnecessary. The problem may be that the story of the pilot who pulled off the so-called “Miracle on the Hudson” is so well known, the movie can’t really add anything to it.
CHICAGO – Tom Hanks is using his golden years as a vehicle to stretch his performance skills, and his role as a sort of “Death of a Salesman” spin in “A Hologram for the King” gives him an opportunity to keep stretching. The stylish film floats within the focus on his character, and he delivers.
CHICAGO – The second biggest release of the 2016 Easter Weekend is “My Big Fat Greek Wedding 2.” The sequel to the 2002 mega-hit, the film rolls out the same weekend as a certain “Bats v Supes,” but is a bit quieter – and more Greek – than its weekend neighbors. In anticipation of the new “Wedding,” HollywoodChicago.com reruns a couple interviews from featured stars Nia Vardalos and Lainie Kazan.
Did you think we’d ever live in a time when you could watch a guilty pleasure like “Weekend at Bernie’s” in pristine HD? Every few weeks here at HC, we bring to light classicc films coming to Blu-ray for the first time like “Sorcerer” or “Breaking the Waves” or “Bachelor Party.” Wait. What?
An Oscar winner, a major Oscar nominee, two more pieces of Oscar bait, and a few movies that never got anywhere near Oscar. Welcome to What to Watch. We don’t play favorites. Oh, wait, yes we do. You should definitely rent or buy the titles on this first page. The second page is more optional.
CHICAGO – The world of creation, and the imagination behind it, gets an honorable and elegantly performed treatment in the fascinating “Saving Mr. Banks.” What seems like a “making of” film about the legendary “Mary Poppins,” becomes much more rich in symbolism and consideration.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 100 pairs of advance-screening tix up for grabs to the “Mary Poppins” backstory “Saving Mr. Banks” with Emma Thompson and Tom Hanks!
CHICAGO – Was “Toy Story 3” the last great Pixar production? With the modest critical reaction to “Cars 2,” “Brave,” and “Monsters University,” it seems an entirely defensible position to take. In fact, one could easily argue that “Small Fry,” the “Toy Story” short that premiered with “The Muppets,” and “Partysaurus Rex,” which played with “Finding Nemo 3D,” should be considered higher on the Pixar hierarchy than “Cars 2” and maybe even “Brave.”
CHICAGO – Captain Richard Phillips (Tom Hanks) leaves his wife Andrea (Catherine Keener) for yet another journey captaining a cargo ship off the coast of Africa. Shortly thereafter, a Somali boy named Muse (Barkhad Abdi) heads into the same waters on a collision course with the Maersk Alabama.