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Tim Kring

TV Review: FOX’s ‘Touch’ With Kiefer Sutherland Comes With Heavy Hand

CHICAGO – With elements of “Pay It Forward,” “The Number 23,” “Extremely Loud and Incredibly Close,” classic inspirational TV fare like “Touched by an Angel,” and the later seasons of “Heroes,” FOX’s new drama, “Touch,” is an absolute mess.

TV News: Kiefer Sutherland Returning to FOX in ‘Touch’

kiefer sutherland.jpg

CHICAGO – Kiefer Sutherland is returning to the FOX network, but don’t expect him to be wielding guns and saving the world from terrorists in his new show. Sutherland, who made Jack Bauer and ‘24’ a hit for the network, is signed on to the new drama series ‘Touch,’ which FOX ordered 13 new episodes of yesterday morning.

TV News: Kiefer Sutherland Says ‘24’ Movie is Still in the Works

24 Redemption

CHICAGO – When FOX’s “24” ended, promises were made about a big-screen adventure for Kiefer Sutherland’s Jack Bauer but that project has failed to get off the ground and the star recently signed to a new TV project called “Touch,” according to TVGuide.com. Worry not “24” fans. He claims that the dream is not yet dead.

Blu-Ray Review: ‘Heroes: Season 4’ Concludes Botched Sci-Fi Series

Heroes: Season 4 Blu-Ray

CHICAGO – Here’s one of the saddest casualties of the recent writer’s strike. Tim Kring’s sci-fi series, “Heroes,” came on like gangbusters when it debuted in 2006. It intriguingly fused the formulas of “X-Men” and “Unbreakable,” as it followed a colorful assortment of earthlings who discover that they have powers unsettlingly akin to those seen comic books.

Blu-Ray Review: Season Three of ‘Heroes’ Designed to Please Fans

Heroes: Season Three

CHICAGO – I’m one of many fans burned by the fizzling out of “Heroes,” a show that started incredibly strong and went from “must-see” to “meh” in just a few seasons. Despite the show’s overall dip in quality, the Blu-Ray releases have been heralded as leaders in the format, filled with special features designed to please hardcore fans.

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    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

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