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Thomas Dekker

Film Review: ‘Angels Crest’ Takes Lead-Footed Trip Down Misery Lane

CHICAGO – Six years after her sentimental debut feature, “On a Clear Day,” filmmaker Gaby Dellal has gotten mired in the wintry sludge of her sophomore effort, “Angels Crest.”

TV Review: The CW’s ‘The Secret Circle’ Fails to Cast a Spell

CHICAGO – Audiences are too smart for “The Secret Circle.” Sure, they bought in when The CW presented “The Vampire Diaries” on the heels of the “Twilight” phenomenon but that is a fast-paced, sexy, and sometimes-clever show. You can hook them by piggybacking on a trend, but then you better have some meat on the hook. There’s no meat in “The Secret Circle,” the struggling network’s least-likely shot at a new hit.

TV Review: HBO’s ‘Cinema Verite’ With Diane Lane, Tim Robbins

CHICAGO – How did we get here? How did the reality TV craze start? Some would have you believe that it is a modern trend and its popularity in the ’00s and ’10s has certainly been striking, but it’s much older than that.

Film Review: Gregg Araki’s ‘Kaboom’ Merrily Enters the Ontological Void

Kaboom Film Review

CHICAGO – Rarely has the apocalypse appeared as trivial as it does in “Kaboom,” a disarmingly lovable mess of a picture that manages to work in spite of itself. It’s the tenth feature film directed by Queer New Wave icon Gregg Araki, who seems to be in an infinitely better mood than he was fifteen years ago, back when the Reagan era’s ignorance of the AIDS crisis was still festering like an open wound.

Interview: Gregg Araki Brings About Optimistic Apocalypse in ‘Kaboom’

CHICAGO – Perhaps no one but Gregg Araki could make a hallucinogenic, doom-laden mystery as playful and curiously optimistic as “Kaboom”.

Blu-Ray Review: ‘A Nightmare on Elm Street’ Remake Fails Completely

A Nightmare on Elm Street

CHICAGO – The irony of Samuel Bayer’s remake of the Wes Craven classic, “A Nightmare on Elm Street,” is that most viewers will have more trouble staying awake than combatting actual fear. The saddest thing about this failed effort is that it could tarnish the reputation of Wes Craven’s brilliant original for a new generation. Ignore the new film. Just go rent the original.

Paramount Announces ‘Footloose’ Casting Search; Deadline is June 9, 2010

Paramount's casting search for Footloose

CHICAGO – Paramount Pictures on Thursday announced its casting search for the feature film “Footloose” from writer and director Craig Brewer. The film, which is slated to hit theaters in 2011, stars Julianne Hough (as Ariel Moore) and Thomas Dekker (as Ren McCormack) is currently listed as rumored.

‘A Nightmare on Elm Street’ Remake Plays Like a Bad Dream

CHICAGO – Samuel Bayer’s remake of Wes Craven’s “A Nightmare on Elm Street” may be about repressed memories coming back in horrific ways, but it ironically ends up one of the least memorable films of 2010 to date. Not as abrasive as the “Texas Chainsaw Massacre” remakes and not as dumb as “The Amityville Horror,” “A Nightmare on Elm Street” is merely forgettable; something never said about the influential original.

Slideshow: 26-Image Gallery For ‘A Nightmare on Elm Street’ With Jackie Earle Haley

| Image 1 of 26 |
Katie Cassidy as Kris

CHICAGO – This 26-image slideshow contains all of the official press images for Samuel Bayer’s “A Nightmare on Elm Street” with Jackie Earle Haley, Rooney Mara, Kyle Gallner, Katie Cassidy, Thomas Dekker, Kellan Lutz, Clancy Brown, Connie Britton, and Lia D. Mortensen. It was written by Wesley Strick and Eric Heisserer. The film opens on April 30th, 2010.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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