CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – Six years after her sentimental debut feature, “On a Clear Day,” filmmaker Gaby Dellal has gotten mired in the wintry sludge of her sophomore effort, “Angels Crest.”
CHICAGO – Audiences are too smart for “The Secret Circle.” Sure, they bought in when The CW presented “The Vampire Diaries” on the heels of the “Twilight” phenomenon but that is a fast-paced, sexy, and sometimes-clever show. You can hook them by piggybacking on a trend, but then you better have some meat on the hook. There’s no meat in “The Secret Circle,” the struggling network’s least-likely shot at a new hit.
CHICAGO – How did we get here? How did the reality TV craze start? Some would have you believe that it is a modern trend and its popularity in the ’00s and ’10s has certainly been striking, but it’s much older than that.
CHICAGO – Rarely has the apocalypse appeared as trivial as it does in “Kaboom,” a disarmingly lovable mess of a picture that manages to work in spite of itself. It’s the tenth feature film directed by Queer New Wave icon Gregg Araki, who seems to be in an infinitely better mood than he was fifteen years ago, back when the Reagan era’s ignorance of the AIDS crisis was still festering like an open wound.
CHICAGO – Perhaps no one but Gregg Araki could make a hallucinogenic, doom-laden mystery as playful and curiously optimistic as “Kaboom”.
CHICAGO – The irony of Samuel Bayer’s remake of the Wes Craven classic, “A Nightmare on Elm Street,” is that most viewers will have more trouble staying awake than combatting actual fear. The saddest thing about this failed effort is that it could tarnish the reputation of Wes Craven’s brilliant original for a new generation. Ignore the new film. Just go rent the original.
CHICAGO – Paramount Pictures on Thursday announced its casting search for the feature film “Footloose” from writer and director Craig Brewer. The film, which is slated to hit theaters in 2011, stars Julianne Hough (as Ariel Moore) and Thomas Dekker (as Ren McCormack) is currently listed as rumored.
CHICAGO – Samuel Bayer’s remake of Wes Craven’s “A Nightmare on Elm Street” may be about repressed memories coming back in horrific ways, but it ironically ends up one of the least memorable films of 2010 to date. Not as abrasive as the “Texas Chainsaw Massacre” remakes and not as dumb as “The Amityville Horror,” “A Nightmare on Elm Street” is merely forgettable; something never said about the influential original.
CHICAGO – This 26-image slideshow contains all of the official press images for Samuel Bayer’s “A Nightmare on Elm Street” with Jackie Earle Haley, Rooney Mara, Kyle Gallner, Katie Cassidy, Thomas Dekker, Kellan Lutz, Clancy Brown, Connie Britton, and Lia D. Mortensen. It was written by Wesley Strick and Eric Heisserer. The film opens on April 30th, 2010.
HollywoodChicago.com Hookup: 25 Chicago Passes to ‘A Nightmare on Elm Street’ With Jackie Earle HaleySubmitted by HollywoodChicago.com on April 24, 2010 - 4:39pm
CHICAGO – In our latest horror edition of HollywoodChicago.com Hookup: Film, we have 25 admit-two passes up for grabs to the advance Chicago screening of the new “A Nightmare on Elm Street”.