CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – There were basically two careers for Pierre Morel, before he directed the mega-hit “Taken,” starring Liam Neeson, and afterward. The French-born cinematographer, camera operator and now director is releasing “The Gunman,” an action film that stars Sean Penn. Like “Taken,” the motivations for the action are based in the real world, and “The Gunman” travels to Africa, London and Barcelona on his way to redeeming his soul.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 admit-two movie passes up for grabs to the advance screening of “Safe” with “The Transporter,” “Crank” and “Snatch” star Jason Statham!
CHICAGO – John Travolta always seems to be in a perpetual state of “coming back.” His various attempts at reinventing his screen persona seem to be driven less by artistic integrity than commercial desperation. The more macho and foul-mouthed he tries to be, the less convincing he is.
CHICAGO – Parkour is a type of physical discipline well suited for the cinema. It trains mere mortals to move like supermen. They can leap from one place to another, while overcoming formidable obstacles, without the need for any harnesses or special effects. The only tools used by parkour practitioners are their own bodies and their surrounding environment. Buster Keaton would’ve excelled at this.