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The Square

Film Review: Art & Real World Taken to Task in Angular ‘The Square’

Square, The

CHICAGO – Recently, the record for highest bid ever on a work of art was shattered – $450 million for Leonardo da Vinci’s ‘Salvador Mundi’ – and the ownership of a canvas, for the price of supporting a small country, calls into question the meaning of art and collecting. All of this, and everything more, is generated in the cinematic rendering of “The Square.”

Australian Noir Hit ‘The Square’ is Riveting Directorial Debut

The Square
HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – A spectacular alternative to the glut of blockbusters about to dominate the marketplace, Nash Edgerton’s “The Square” heralds the arrival of a major new talent on the international movie scene. A riveting tale of a small group of people doing very bad (and pretty dumb) things, “The Square” works from beginning to end and stands as one of the best feature debuts of the year to date.

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  • Everybody, Brown Paper Box Co

    CHICAGO – When is the last time a stage play, based in an intimate setting, made you think about your life, death, and the destiny inherent in both? “Everybody,” staged by Brown Paper Box Co. (BPBCo), is such a play, and the energetic aura and sense of surprise that the show contains is soul soothing wonder. The show has various evening/matinee performances at the Pride Arts Center in Chicago run through August 12, 2018. Click here for more details, including ticket information.

  • Not One Batu

    CHICAGO – The State of Hawaii may be one of the most misunderstood in America. Because of its reputation as a tourist mecca, the fact that native peoples live and work there like any other place is hard to imagine. Also unimaginable is the drug use of island residents, but playwright and Hawaiian native Hannah li-Epstein wrote about it in her stage play “Not One Batu,” now in its Premiere Chicago run at the Berger Park Coach House through July 28th, 2018. For more information, including tickets, click here.

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