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The Prestige

Blu-Ray Review: Christopher Nolan’s Masterful ‘Memento’ Hits Decade Mark

Memento

CHICAGO – Now’s the time that a lesser writer would make some plot-related pun related to ask if you remember “Memento,” one of the best films of the ’00s that also happens to feature a protagonist suffering from memory loss. One thing fans of writer/director Christopher Nolan would like to forget is how cruel the Academy has been to their favorite filmmaker over the last decade, failing to nominate him yet for Best Director and never giving him an Oscar. For shame.

Blu-Ray Review: ‘Insomnia’ From ‘Inception’ Director Christopher Nolan

Insomnia

CHICAGO – In many ways, Christopher Nolan’s “Insomnia,” recently released on beautiful Blu-ray, is the perfect companion piece to his new masterpiece, “Inception,” now playing in theaters. The film may not get the international attention of “The Dark Knight” but it stands as further proof that this man is one of our best living directors.

Video Game Review: ‘Dark Void’ Free Falls as First Disappointment of 2010

CHICAGO – There really is a void in the center of the first disappointment of 2010, a game that sucks in too much of its incredible potential into classic traps of the gaming world like thin storytelling, mediocre graphics, and, most damagingly, sketchy controls. “Dark Void” isn’t horrible but that’s faint praise indeed when one considers the expectations for this title and the cleverness of its concept.

‘Contraption’ Examines Mad-Scientist Intersection Between Invention, Insanity

Contraption

CHICAGO – There’s a fine line between being batty and being brilliant. If there’s anything the world’s most brilliant inventors have taught us, it’s that most world-altering creators blurred that very line or visited the crazy farm before the world acknowledged their genius.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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