HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

The Last King of Scotland

Interview: Director Kevin Macdonald Gets Under His ‘Black Sea’

Kevin Macdonald of 'Black Sea'

CHICAGO – The old fashioned paranoid thriller lives, with the release of ‘Black Sea,’ a submarine movie that combines elements of the silent running of those underwater tin cans with the motivation of finding treasure – in this case Nazi gold – that has been buried where it sunk 70 years ago. The director of this film, Kevin Macdonald, creates a nail biting tension in the will-they-or-won’t-they survival mode of the British and Russian members of the submarine’s crew, led by Captain Robinson (Jude Law).

Interview: Forest Whitaker Serves Up ‘Lee Daniels’ The Butler’

CHICAGO – In person, Oscar winner Forest Whitaker is a man at peace. His talent has created a demeanor of a guru – soft spoken with transcendent thoughts. His latest film is “Lee Daniels’ The Butler,” in which he portrays the title character. As a black man caught between two eras in American history, Forest Whitaker does relate.

Blu-Ray Review: Channing Tatum Fails to Take Flight in ‘The Eagle’

The Eagle Blu-Ray

CHICAGO – It’s safe to say Kevin Macdonald is a filmmaker more skilled in documentaries (“One Day in September,” “Touching The Void”) than he is in scripted narratives (“The Last King of Scotland,” the forgotten “State of Play” remake). His experience in nonfiction work is certainly reflected in the realism of his production design, but it doesn’t translate to his stories, which often take a shallow approach to real-life subjects.

Hot stories on the Web

Syndicate content

User Login

Free Giveaway Mailing


  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


HollywoodChicago.com on Twitter


HollywoodChicago.com Top Ten Discussions