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The Godfather

Slideshow: Al Pacino, Christopher Walken at Opening of 48th Chicago International Film Festival

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Al Pacino at the Opening Night of the 48th Chicago International Film Festival, October 11th, 2012

CHICAGO – It was true star power as the 48th Chicago International Film Festival kicked off on October 11th, 2012. The Opening Night film was “Stand Up Guys,” and appearing on behalf of the film was Al Pacino, Christopher Walken, Alan Arkin and director Fisher Stevens.

Film News: ‘Vertigo’ Tops Sight & Sound Poll as Best Film of All Time

Vertigo

CHICAGO – Every decade, the legendary “Sight & Sound” magazine polls some of the most important film historians, critics, and artists in the world (including Roger Ebert) for a list of the best movies ever made. They released the first list since 2002 today and “Vertigo” topped the list, dethroning “Citizen Kane.” Full top ten below, followed by the top tens from 2002 and 1992.

Film News: ‘The Godfather’ Will Hit the Big Screen Again in Cinemark Theatres

The Godfather

CHICAGO – Are you a movie buff that considers Francis Ford Coppola’s “The Godfather” to be one of greatest movie ever made? Are you too young to have seen it in theaters when it was released in 1972, or missed your chance to see it in theaters? Well, you are in luck my friend, because Cinemark and Paramount Pictures are teaming up to bring “The Godfather” back to the big screen.

Interview: Kimberly Peirce Discusses ‘The Godfather,’ Her New Crime Thriller

Kimberly Peirce Interview

CHICAGO – If Robert K. Elder’s book, “The Film That Changed My Life,” is indeed providing a blueprint for the screening series continuing this month at the Music Box, then cinephiles have every right to rejoice. Elder’s book interviewed a wide variety of filmmakers about the films that left a permanent impact on them, and the series reunites Elder and the filmmakers for screenings of their favorite films.

Film Review: ‘Kill the Irishman’ Offers History as Explosions

Kill the Irishman, Ray Stevenson

CHICAGO – The amalgamation of big time unions and organized crime in post-WW2 industrial America is as enlightening as any struggle for power. Cleveland, Ohio, in the 1950s thru the ‘70s was both on the waterfront and had the East Coast influence of New York City’s most notorious crime families. That history is wasted in “Kill the Irishman.”

Blu-Ray Review: ‘Gomorrah’ Galvanizes With Raw Portrait of Crime

Gomorrah

CHICAGO – Matteo Garrone’s revelatory crime picture joins the esteemed group of worthy foreign film Oscar contenders (like “4 Months, 3 Weeks and 2 Days”) inexplicably snubbed by the Academy. But such accolades are meaningless compared to the reaction it has received, breaking box office records in its limited release, while acquiring the passionate support of film icons like Martin Scorsese.

Blu-Ray Review: Criterion Edition of Akira Kurosawa’s Legendary ‘Kagemusha’

Kagemusha

CHICAGO – Now that he is widely recognized as one of the best filmmakers of all time, it’s almost hard to believe that there was a period in the career of Akira Kurosawa when he couldn’t get financing to make a film. Kurosawa went through a very dark time in the ’70s, punctuated by his disastrous experience with “Tora! Tora! Tora!,” and needed the weight of Francis Ford Coppola and George Lucas to help with his comeback, “Kagemusha,” now available in a beautiful Criterion Collection Blu-Ray release.


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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Jack Reacher with Tom Cruise

    CHICAGO – “Jack Reacher” doesn’t work as an action movie. However, if you approach the mannered dialogue and dark storytelling as a noir, which is what I believe the writer and director (if not the marketing team at Paramount) intended, then there’s a lot to like here. It’s a stylized, slick, well-made ride with some crackling dialogue, charismatic performances, and heavy doses of style.

  • Safe Haven

    CHICAGO – At its best, Lasse Hallstrom’s “Safe Haven,” based on the book by the insanely popular Nicholas Sparks, is merely safe, Lifetime Channel TV Movie junk. At its worst, it’s pretty offensive and exploitative of women actually stuck in abusive situations and men forced into single parenthood after losing a spouse. As he has done before, Sparks takes real-world issues and turns them into manipulative devices. Hallstrom (“Chocolat”) has enough filmmaking skill to keep it from getting too boring despite the attempts on the part of the two remarkably dull leads to put you to sleep.

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