CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the Golden Globe-nominated film “Selma” on Dr. Martin Luther King Jr. starring David Oyelowo!
CHICAGO – Some say, to use a FOX News term, that America is “post-racial.” The election of Barack Obama is supposed to have ended the debate on race, and any marginalization because of race. Of course, that is not possible in society and culture, and it’s articulated in writer/director Justin Simien’s new film, “Dear White People.”
CHICAGO – A new voice has everyone’s attention with the shaking-head comedy “Dear White People,” a necessary “Wake UP!” to a melting pot nation that still needs to get itself together, even if a black president is in the White House.
CHICAGO – Tyler Perry must have a bit of internal conflict. On one hand, he gets critically slammed for films that display little creative effort at all like “Madea Goes to Jail” or “Why Did I Get Married Too?” but those movies make money. Then he tries to do something clearly considered artistic with his adaptation of Ntozake Shange’s choreopoem “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf,” now truncated to simply “For Colored Girls” and recently available on Blu-ray and DVD, and it makes less than most of the films he’s directed.
CHICAGO – Ntozake Shange’s choreopoem “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf” was a landmark event in 1974, giving voice to a segment of society rarely seen on the stage. It took 34 years for a filmmaker to tackle this remarkable work in film form and Tyler Perry’s “For Colored Girls” retains some of the inherent power of it source and features some strong performances in the process but never finds the narrative cohesion needed to translate it to modern movie audiences.