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Video Game Review: ‘Dying Light’ Does Just Fine

Dying Light

CHICAGO – Playing “Dying Light” in co-op mode began a tale of two different gamers with two different lives and two different tastes. My co-op partner, Matt, is an Internet networking guru with a brand new Xbox One and not much to play on it beyond “#IDARB” (which is fantastic and free). He sunk his teeth into it like like an Asgardian at an all-you-can-eat buffet. He loved the open world, the graphics and the gruesomeness.

Video Game Review: Gory, Gruesome ‘Dead Island’ is Nearly Great

CHICAGO – Video games have an amazing way of suppressing critical thought. Like a great action sequence can allow the movie goer to ignore stupid dialogue and cliched characters, if a game can provide adrenalin-pumping, visceral thrills then complaints become easier to forget. Such is the case with “Dead Island,” a clever zombie game with some serious flaws that really don’t matter in light of how damn enjoyable the game can be.

Video Game Review: ‘Call of Juarez: The Cartel’ Blows Itself Up

CHICAGO – Rarely have I played a game more frustrating than “Call of Juarez: The Cartel.” It’s far from the worst game of the year. It’s not even the worst game of the season. But it’s underdeveloped, disappointing, and sometimes plain broken when it could have been something truly great. This is a game that should have worked and there are elements that do but the overall title never quite comes together.

Video Game Review: ATV Racer ‘Nail’d’ Appeals to Adrenalin Junkies

CHICAGO – The so-so year for racing games closes with the semi-successful “Nail’d,” an ATV-racing affair with an impressive need for speed that still comes off a bit too repetitive and frustrating to fully recommend. Speed junkies will find some addictive fun here but aggravation plays nearly as significant a role in the final product as adrenalin.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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