Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Bring up the name Ed Asner, and immediately his legendary TV character Lou Grant comes to mind. Asner created the only TV character to successfully transition from a sitcom – “Mary Tyler Moore” – to the cutting-edge TV drama “Lou Grant.” But Asner has also been steadily working since those days, including his latest film “Let Go.”
CHICAGO – Sydney Pollack was a filmmaker who could do anything: sweeping romantic melodramas, side-splitting satires and epic yet intimate tragedies. It’s easy to forget that Pollack could also craft a superb commercial thriller every once in a while, and 1993’s “The Firm” falls under that category. Despite a few dated elements, the picture holds up surprisingly well.